1. Home
  2. Artists

Artists

Helping mainstream artists into Web3: The triumphs and struggles

As the music industry continues to push into the Web3 space getting artists both mainstream and up-and-coming has its hurdles but also major rewards.

Musicians and executives alike have seen the power of Web3 tools such as nonfungible tokens (NFTs) to transform audiences into active communities with fewer barriers between artists and fans.

Recently, the crypto-savvy Snoop Dogg partnered with country music stars Billy Ray Cyrus and the Avila Brothers to create an NFT experience that crossed genres and created new communities in the process. While Snoop may be a veteran in the space, many musicians find the Web3 world a whole new frontier.

Cointelegraph spoke with Bernard Alexander, the head of IP at the company Animal Concerts, which facilitated the aforementioned NFT collection, to better understand what it takes to bring artists into Web3.

Alexander affirmed that onboarding someone like Snoop is very different from “artists who don’t typically keep up with the Web3 ecosystem.” It also can depend on the size of the artist.

He said It is likely easier to set up smaller artists just getting started who are eager for new opportunities. Whereas bigger artists can sometimes be more laden with partnerships already yet they often have greater influence across mainstream culture:

“All artists, regardless of their size, have something to gain from dipping their toes in the world of Web3.”

Nonetheless bringing the Web3-native community together with mainstream culture is not an easy task, especially when one is an established institution and the other is in a constant state of development. 

Related: Music NFTs a powerful tool to transform an audience into a community

As f the general adoption of Web3 outside of the music industry, Alexander said education and an accurate understanding of the space are both instrumental and a significant challenge:

“People can naturally be hesitant to jump into such a nascent, rapidly evolving space.”

He said that when onboarding new artists, it's important people and companies within the space provide “a safe, secure space where they can effectively learn about this technology and work with industry experts to make sure they are leveraging it in all the right ways.”

When artists are introduced to this new, powerful technology they’re often excited by the possibility of new ways to create and connect with their existing communities. Alexander gave the example of concert experiences:

“For artists who have been putting on the same concerts for years, this possibility to push the limits of tech and music is a huge attraction.”

Additionally, he highlighted the difference in partnerships in a Web3-centered industry as more appealing to artists. “They’re more transparent, more fair, and more democratic,” he says.

This new Web3-inspired way of connecting and creating is being considered by artists and major labels alike. Recently, music industry giant Warner Music Group entered into a partnership with the NFT marketplace OpenSea to create new possibilities for artists.

Fidelity and Ark Lead the Way as Bitcoin ETFs Surge

OpenSea to enforce creator royalties on all collections after community outcry

The NFT marketplace has clarified its stance on creator royalties after receiving significant public backlash from an earlier post.

NFT marketplace OpenSea has announced it will continue to enforce royalties across all collections going forward, following outcry from creators earlier this week for considering otherwise. 

On Nov. 7 OpenSea announced they were launching an on-chain tool allowing creators to enforce royalties for any new collections on the platform, but stopped short of offering the same to existing collections.

At the time, the marketplace said it would be considering options ranging from enforcing off-chain fees for “some subsets of collections,” to “allowing optional creator fees,” to “collaborating with other on-chain enforcement options for creators.”

The announcement saw significant pushback from the community, urging OpenSea to clarify its stance, noting the messaging was unclear, while others took issue with its “optional creator fee” suggestion.

Some NFT creators, such as Bobby Kim, co-founder of The Hundreds on Nov. 9 said they had decided to cancel the release of their upcoming NFT collection on OpenSea, noting they were "waiting to see if OpenSea would take a stand to preserve creator royalties for existing collections."

"Unfortunately, that announcement has not arrived in time," he said. 

On Nov. 8, Bored Ape Yacht Club (BAYC) founders including Wylie Aronow, Greg Solano and Kerem Atalay chimed in on the debate in a blog post, sharing that the move from OpenSea was “not great” and shows its intent “to move with the rest of the herd and remove creator royalties for legacy collections from their platform.”

Related: Magic Eden defends launch of NFT royalty enforcement tool

OpenSea appears to have heard the criticisms, and as part of a Nov. 9 post on Twitter, confirmed it will "continue to enforce creator fees on all existing collections" as well.

OpenSea said it was "awed by the passion we've seen from creators and collectors alike this week. We were looking for your feedback, and we heard it, loud and clear."

According to the marketplace, they "will start open-sourcing our data on creator fees in the upcoming weeks for everyone to use."

Fidelity and Ark Lead the Way as Bitcoin ETFs Surge

NFTs are the key to turning passive fandom into an active community

DAOs may be where all the action takes place, but the genesis of new Web3 communities popping up on the scene starts at the NFT.

Nonfungible tokens (NFTs) are giving Web3 communities the tools to transform user participation.

The Web3 world has been watching NFTs grow up. These digital assets have evolved from hype-centered digital art collections to utility-focused tools building the next generation of the internet.

One of the most important utilities of NFTs is that they are increasingly used as the key to communities of the future - both digital and physical. This is also true when it comes to existing communities, be it fan clubs in sports and music or legacy brands.

These incentivized digital assets can take passive fandoms and turn them into active communities, where members own and delegate activity in a living ecosystem. 

The inBetweeners project falls somewhere in the middle of this Web3-born phenomenon. It combines the digital art of artist GianPiero, who designed Justin Bieber’s iconic Drewhouse clothing line, and serves as a key to real-life hype-events like a VIP party at the Coachella music festival.

Fans of the artist and big name figures involved with the project are now exposed to a new cosmos created through the NFTs, as is the case with many other similar projects in the space.

Cointelegraph spoke with the co-founder and the community manager of inBetweeners, Ogden and Miana Lauren, on community building through NFTs and the purpose it gives to fans.

Related: NFTs will be ‘as disruptive’ as Bitcoin was 10 years ago — Kraken exec

Ogden commented that Miana started off as a fan of the collection and, through the engagement possible via NFTs, was able to take that fandom to another level. “We blindly trusted her because we saw how passionate she was,” he said.

The inBetweeners co-founder said most of their team and partnerships came from within the Discord channel.

“It's a collective, but at the beginning, it was just a bunch of us sitting around a table. Now it's people all over the world.”

Miana said beginning as a holder and fan of the project has enriched her current role as a part of the core team. From starting from within the community, she said it's easier to understand the core needs of the fan as a community manager.

“We can really play to their needs and wants, and really all come into alignment in these decisions."

NFTs are often the gateway for many newbies to participate in the Web3 space, as are other avenues such as play-to-earn blockchain gaming. However, as Miana highlighted it’s all a big learning curve at the moment, especially for first time holders in the space.

“Once we get over that hump, we can actually see how efficient these web three solutions are and how everyone will be able to integrate all of these solutions in their daily life.”

This is already the case in many major industries around the world, such as the music industry which is increasingly using NFTs to transform audiences into communities

Fidelity and Ark Lead the Way as Bitcoin ETFs Surge

Can NFTs democratize scheduled programming of TV in the Web3 era

The way we watch TV or scheduled programming is about to undergo NFTization through a new streaming network that focuses on crypto content with NFTs as its backbone.

Nonfungible tokens (NFTs) leave almost no part of the physical world untouched. From museums and major fashion brands like Gucci adopting the technology to digital items to musicians breaking archaic song rights distribution methods.

Now even television, or in a streaming era — scheduled programming, is taking on NFTs as a means of crowdfunding programs. NFTV is streaming crypto-themed content but using NFTs as the backbone to crowdfund shows while providing viewers with some say in what’s on deck.

Each program has a set of related NFTs, which give creators the reins of their projects, rather than giant media houses, while holders have the chance to contribute content.

Greg Cipes, co-creator of NFTV, spoke with Cointelegraph to discuss the fine line between content democratization and an artist’s vision manifesting true to itself.

Big names in the entertainment industry have joined the NFT craze, like Kim Kardashian, Snoop Dogg, Eminem and Matt Damon. When it comes to creative output, many artists have a specific vision for their content, especially industry veterans with a specific style or band.

When NFTs come into the picture and give the community a say, Cipes said this can “absolutely” take away from creators, and a fine line must be walked.

Related: The creator economy: How we arrived there, and why we need its Web3 upgrade

He related upcoming NFT-based streaming networks to operating like a pirate ship with the captain having the final say and all other decisions are democratic, such as featured characters.

“Everyone has a role, responsibility and accountability to own. [And must] lead their respective team with creative freedom."

Cipes continued to highlight the added utility of NFTs in a television network setting as keys to extra network perks, like a subscription membership but with tangible abilities and ownership aspects.

“Content is a great way to connect the concept of NFTs with a utility like entertainment."

NFTV will have content related to popular themes in the crypto community such as the Bored Ape Yacht Club and an NFT-world cartoon among others.

One barrier is an accurate understanding of how NFT democratization works, even from those within the crypto space. Cipes says with this project and others, hands-on involvement helps increase overall understanding of technology.

“People get projects more when they’re involved in media they enjoy consuming."

The crypto community itself also continues to push entertainment and mainstream projects, as they tend to be catalysts for both adoption and education on real-world utility.

On Oct. 18, blockchain solution provider Ripple announced the second wave of $250 million in funding for its creator program to bring in entertainment and media-focused Web3.

Fidelity and Ark Lead the Way as Bitcoin ETFs Surge

Will museums of the future just be giant NFT galleries?

NFTs have transformed the art world to make masterpieces more accessible to admirers. However, with the tokenization of entire collections comes questions about the future of ownership in museums.

Museums, individuals and metaverse initiatives have used nonfungible tokens (NFTs) as a new means for reinventing themselves before their fans. The family of Frida Kahlo unveiled never-before-seen art and personal artifacts of the artist at an exclusive event in Decentraland for its art week in August.

In Belgium, the Royal Museum of Fine Arts Antwerp became the first European museum to tokenize a classic art masterpiece worth millions of euros. The Kharkiv Art Museum in Ukraine launched a new NFT collection with Binance to preserve their cultural heritage and raise funds amid the ongoing regional conflict.

However, as everything becomes tokenized, questions arise. Will museums in the future just be giant NFT galleries with every piece of art having a digital counterpart? How does ownership really work in such a scenario?

Cointelegraph spoke with Hussein Hallak, founder and CEO of Momentable a company servicing museums to help with NFT integration, to understand what an NFT-ized future looks like for the art world.

Related: NFT pics are the funhouse mirror high-end art deserves

While digital art that is native to the Web3 space finds its place in virtual museums, traditional art and museums are taking on a layer of Web3. Thus, Hallak believes it's “inevitable” for museums to eventually transform into a giant NFT gallery. 

“We believe everything will be an NFT, just like a serial number, for every product there will be an NFT."

According to Hallak, it’s just a matter of technology becoming easier to use in order to become ubiquitous. For now he predicts the most common use of NFTs by museums should be for proof and maintenance of items in their collections, second would be digital editions accessible to the public. 

“NFTs are an integral tech innovation museums can’t afford to ignore if they want to step into the future," Hallak says. "But they needs to be part of a larger strategic modernization roadmap.”

When asked if fractional ownership diminishes the value of physical precious heirlooms held by museums Hallak says it's a fair question but the answer is no. Art just becomes more accessible.

He relates it to the value increase of a private company going public:

“Making art more accessible through fractionalized ownership or limited digital editions, will most likely drive interest, raise the appreciation of the art and artist and eventually increase its value.”

Ownership that comes with fracationalization is key to Web3. It is one of the defining characteristics, which differentiates it from the internet known before.

In the case of museums and the art up for NFT auction, is it really ownership if the art is still under some type of custodianship or is it perceived ownership?

Hallak perceives NFTs as a tool for supporting public art rather than a transfer of custodianship. 

“A more likely [NFT] model is funding a public display of artworks and artifacts by creating several digital versions.”

Over time NFTs will increasingly become an opportunity for museums to capitalize on their collections and curatorial prowess in a digitalize future, as seen with the aforementioned museum in Belgium. 

A recent report valued the NFT market to be worth nearly $231 billion by 2030.

Fidelity and Ark Lead the Way as Bitcoin ETFs Surge

What are CC0 NFTs, and why are they important?

A CC0 (Creative Commons Zero) NFT is an NFT with a copyright in which the owner permits anyone to use the NFT for commercial gain.

What are the future possibilities with CC0 NFTs?

The world of NFTs is in its infancy. As artists and creators explore ways to create and monetize their content, products and platforms are emerging to offer frameworks for creators to operate and build their brands, and monetize them.

It is still the early days for the nonfungible token world. The last couple of years have seen an economic model emerge for artists and creators. With every new business model, there needs to be new distribution strategies that emerge. 

NFTs have shown how brands can be monetized. However, relying on a small community to create the distribution capability for the brand is not scalable. As more co-creation models emerge and more platforms to actively promote become mainstream, CC0 NFTs would have the bells and whistles needed to scale their brand outreach.

Another fundamental building block for nonfungible tokens to scale their reach is interoperability. The NFT world is still siloed across different blockchains. Even the cultures of the Ethereum and Solana NFT collections are noticeably different. There is a need for better interoperability across chains, and nonfungible token cultures would need to be agnostic to the infrastructure on which they are created.

As these infrastructural and community collaboration layers get more sophisticated, CC0 nonfungible tokens will have the rails they need to scale their brand beyond a community of 10,000 NFT holders.

What are the implications for the CC0 NFT project team?

As the Web3 world has largely promoted transparency and openness with code, NFT creators and teams are also opting for the same with art. However, that is just the beginning of the journey, and these nonfungible token creators and communities must realize that.

CC0 can sometimes be portrayed as a logical conclusion where the NFT creators hand over the process of building on their creation to their community and beyond. Some NFT collections have had several derivative projects promoting the culture of the NFT almost as brand extensions. However, declaring a project as CC0 is just the beginning.

NFT project teams and creators who take the CC0 route must actively promote the use of the brand and onboard other creators and projects to build brand extensions to their NFT collections. 

No open-source software project could have scaled without a strong codebase. Similarly, CC0 NFT projects need a strong creator community to spread the word, get inspired by the original nonfungible token collections and make them household brands. This is only possible through the conscious community-building efforts of the NFT project teams.

Therefore, by going down the CC0 route, NFT creators have almost reduced the burden on its nonfungible tokenholders to promote the brand. Instead, they have a more considerable responsibility with their NFT holders to onboard brand, product and art extensions to their nonfungible tokens.

For instance, if a Nike product line chooses to use a Moonbirds image on their shoes, that increases the awareness of Moonbirds within the retail audience, thereby improving the brand outreach. However, these top-tier brand partnerships must be often forged by the NFT project teams.

What are the implications for the NFT community?

The CC0 approach isn’t without its challenges, particularly for the individual NFT holder keen on monetizing their ownership rights on the nonfungible tokens.

NFTs that haven’t embraced CC0 have had NFT holders license the use of their nonfungible tokens to businesses, brands and creative initiatives. Some nonfungible token communities that had gone down the CC0 route had unhappy community members and commercial downsides in the short term.

CC0 allows for the very open use of the NFT brand and art by removing the IP friction points. However, some NFT holders of top communities own their profile picture (PFP) nonfungible tokens to monetize the IP of the NFTs. In some scenarios, NFT holders had lost significant opportunities in licensing contracts when the nonfungible token project team chose to go down the CC0 route.

This approach has its pros and cons like the open source approach to software. There are short-term downside implications for community members who want to tap into the IP rights they had over the NFTs. However, the long-term benefit of building the brand through an open approach is equally alluring for many.

How did the rise of CC0 NFTs happen?

Although one significant project chose CC0 in 2021, many followed suit in 2022, with a CC0 summer that saw many big NFT projects embracing the CC0 route.

Perhaps the first significant NFT project to open the door to the CC0 licensing model was the “Nouns” project. They were soon followed by many nonfungible token projects, including Moonbirds, Cryptoadz, Cryptoteddies and Loot, that chose to go down the CC0 route. 

This has given derivative NFT collections more freedom in drawing inspiration from these CC0 collections. Derivative NFTs are typically those that draw design and art inspiration from the parent NFT collection, which often increases the brand outreach of the parent collection. With CC0s on the rise, derivatives had more liberty.

However, this also resulted in commercial implications for the NFT holders and project teams who make fundamental business strategy decisions for the nonfungible token community.

What are CC0 NFTs?

As nonfungible tokens (NFTs) rose to fame over the last couple of years, they were hailed as the solution to digital ownership and intellectual property (IP). However, a new class of NFTs and founders who believe in them have emerged in CC0 NFTs.

CC0 nonfungible tokens are to NFT creators as open source software is to developers. However, the digital ownership and IP protection was the design principle behind NFTs when they first launched. Several projects, including Bored Ape Yacht Club and CryptoPunks, have benefitted from the holders of these NFTs owning the IP to their art. 

Nonfungible tokenholders could create revenue opportunities for themselves by allowing creators, businesses and brands to use their NFT artwork for a fee. Other creators, NFT collections and even traditional businesses could use nonfungible token images as a brand-building exercise if they had the permission of the NFT holders.

Recently, a movement termed CC0 NFTs has taken the nonfungible token world by storm. The term CC0 NFTs was inspired by the “Creative Commons Zero” licensing model. As per this model, creators can waive their rights to their art, allowing others to use the artwork freely to build more art, a product or a brand on top of it.

This is akin to the open source movement in operating systems, as Linux chose to open its ecosystems for free use. Similar to the Linux operating system, which has a market cap of $15.95 billion and powers over 85% of smartphones, CC0 NFT collections expect a larger base of projects, artwork and brands using their NFT artwork.

Fidelity and Ark Lead the Way as Bitcoin ETFs Surge

Ukrainian art museum to preserve art and cultural heritage through NFT auction

The Kharkiv Art Museum launched a new NFT collection on the Binance NFT marketplace to help raise funds for operations and preservation of cultural heritage.

As the Web3 space expands, nonfungible token (NFT) use cases continue to develop past the hyped days of stagnant digital art collections. However, even within the art realm, NFT utility is being reinvented, as is the case with a Ukrainian art museum.

The Kharkiv Art Museum announced on Oct. 13 its “Art without Borders” NFT collection is now available on the Binance NFT marketplace.

It includes 15 pieces of art from the museum’s collection, with proceeds going back to finance the museum and “save the cultural heritage of Ukraine,” as stated by the official announcement.

The museum is one of the oldest in Ukraine, with nearly 25,000 works of fine art by artists from Ukraine and around the world. Artwork by Albrecht Dürer, Georg Jacob Johann van Os, Ivan Aivazovsky, Simon de Vlieger and others is featured in the NFT collection.

Binance NFT head Lisa He told Cointelegraph that in a time of conflict, when donors are looking for a secure and sure way to give funds, NFTs offer reassurance

“[NFTs] offer peace of mind and security for donors because all transactions are registered on blockchain technology. All donations to causes via NFTs are tracked and can’t be altered or deleted."

The Binance exec continued to say that the transparency of the blockchain also allows donors to know when and if funds reached their desired destination.

Related: Museums in the metaverse: How Web3 technology can help historical sites

Museums have utilized NFTs as a means to digitalize art in the past such as the Royal Museum of Fine Arts Antwerp which tokenized a piece in its collection worth millions of euros.

Art has even been NFT-ized in metaverse museums; like when Frida Khalo’s family brought a never-before-seen piece from their private collection into Decentraland.

Meanwhile, the city of Kharkiv has been subject to intense fighting in the ongoing conflict between Ukraine and Russia. Therefore, this collection’s utility can preserve culture currently at risk of being destroyed, which was the case in the infamous looting of the National Museum of Iraq in Baghdad in 2003.

Lisa He says the combination of  “nascent NFT technology and the long-standing Ukraine culture heritage in the NFT will support rebuilding culture and history in real life."

Already NFTs have been used as an act of aid and resistance in Ukraine during these turbulent times. Proceeds from an NFT auction were used to help restore physical monuments which have taken damage from the conflict.

The Ministry of Digital Transformation in Ukraine even launched its own digital NFT museum in order to document and preserve a timeline of major events in the conflict.

Lisa He said Binance will continue to support NFT projects that create practical and scalable solutions for various social problems, "including the preservation of Ukraine’s cultural heritage."

Fidelity and Ark Lead the Way as Bitcoin ETFs Surge

Web3 had a small, yet important, presence at Paris Fashion Week

A handful of designers showcased Web3 initiatives at Paris Fashion Week, demonstrating inclusion, sustainability and creativity.

Paris Fashion Week 2022 consisted of 64 shows and 42 presentations, many of which demonstrated the future of fashion. From the sprayed-on dress worn by supermodel Bella Hadid at the Coperni show to upcycled fresh looks consisting of recycled garments, Paris Fashion Week brilliantly highlighted trends for upcoming seasons. 

While the majority of Fashion Week attendees and designers celebrated physical elements — such as in-person fashion shows and tangible designs — a handful of creators incorporated Web3 features to demonstrate fashion’s enormous digital potential.

Web3 democratizes fashion

Shedding light on this, Victor Weinsanto, a French designer who launched his brand in 2020 after spending two years working with the famous Jean Paul Gaultier, told Cointelegraph that virtual worlds allow creators to design without having to use real fabrics and materials. “In a sense this ensures sustainability, even though a lot of energy and time is used to create such collections,” he said. 

Weinsanto revealed his first digital collection M3TALOVE immediately following his fashion show that took place in the Marais district of Paris on Sept. 26. Unlike traditional fashion week experiences, The M3TALOVE collection was showcased as 3D holograms within a series of glass cases housed in a dark room, equipped with bright lights and a DJ. Such a setting seemed appropriate, as the collection was a collaboration between Weinsanto and K-Pop girl band Lightsum.

The “M3TALOVE” collection from Weinsanto and BNV. Source: BNV

Richard Hobbs, founder and chief operating officer of Brand New Vision (BNV) — the Web3 platform behind M3TALOVE — told Cointelegraph that the idea for this collection was inspired by the possibilities of merging K-pop culture with fashion. 

“This was a collaborative experience with Victor presenting his concepts to each of the eight members of Lightsum, who then gave their comments and suggestions before BNV converted the sketches into digital outfits, along with individual customized avatars for the eight girls.”

Weinsanto added that the M3TALOVE collection was one of the best ways to use nonfungible tokens (NFTs) to showcase a collaboration between music, the Metaverse and fashion. “I wanted a collection that could be wearable, but still have details that would be impossible to incorporate in real life.” 

Going beyond realistic concepts is indeed one of the most important features offered by Web3 fashion. Hobbs remarked that M3TALOVE is an entirely digital collection, noting that this allows for more imaginative concepts, along with the sustainability.

“BNV’s business is digital fashion. If people can wear more virtual products and express themselves in that world while consuming less in the real world, that’s probably a good thing,” he said. Hobbs makes an important point, as it was previously reported that a typical New York Fashion Week emits up to 48,000 metric tons of carbon dioxide.

The French luxury fashion house Balmain also showcased its Web3 presence at Paris Fashion Week this year. Balmain introduced “Balmain Thread,” which is the brand’s Web3 hub powered by the XRP Ledger that is designed to unite their community with NFT projects. Txampi Diz, chief marketing officer of Balmain, told Cointelegraph that Olivier Rousteing — who has been the house’s creative director since 2011 — along with the entire Balmain team, have become acutely aware of the need to democratize fashion. According to Diz, this led to the creation of the Balmain Thread. He said:

“We are stressing the need to open up fashion, democratizing a previously closed-off universe. We knew that we had to introduce the Balmain Thread during our annual Balmain Festival, which is a celebration that mixes our runway presentation for Paris Fashion Week with a one-of-a-kind live concert that is live streamed on Balmain.com.”

Diz explained that Balmain Festival attendees were presented with the opportunity to join the Balmain Thread community when they received their tickets. He added that those live-streaming the festival were provided with links to join on Balmain.com. “And all of those in the audience on the evening of the festival were invited to join by launching ‘The Moment,’ which is a mobile photo experience app powered by MintNFT that allows participants to transform their favorite Balmain Festival fashion moment into their own unique NFT.” 

While innovative, Diz pointed out that the ultimate goal behind Balmain Thread is to ensure new forms of communication with the brand’s followers while opening access to those who haven’t been involved with Paris Fashion Week before. He elaborated:

“Inclusion is a keyword in fashion, as we all know that the old vision of exclusivity and closed-off experiences is just not feasible for the new generation of fashion lovers. Web3 is one of the many interesting new tools that allow us to open our world to those who wish to enter.”

While such a concept is catching on with renowned fashion houses like Balmain, emerging brands are also incorporating Web3 experiences to provide greater accessibility for both consumers and creators. 

For example, the Paris-founded fashion company Faith Connexion highlighted their Web3 platform, Faith Tribe, during fashion week this year. Maria Buccellati, co-owner and co-founder of Faith Connexion, told Cointelegraph that Faith Tribe is an incubator under Faith Connexion that allows independent creators to design and customize digital and physical fashion assets that can then be minted into NFTs. Buccellati said:

“We had a showroom at Paris Fashion Week this year to display some of the collaborative names and labels that are part of Faith Tribe. This makes Faith Connexion an inclusive brand, which is different from the major players like LVMH. We are leveraging Web3 to give power back to creators.” 

To put this in perspective, Buccellati shared that Faith Connexion announced during Paris Fashion Week that Gavin Magnus, a fifteen-year-old pop star and social media influencer, will be partnering with the brand to create an NFT line. 

Wahid Chammas, co-owner of Faith Connexion, further told Cointelegraph that Faith Connexion is already working with hundreds of new designers to provide them with tools such as virtual studios, IP registrations and NFT minting capabilities to expand their presence. 

Unlike BNV, which focuses strictly on digital collections, Chammas explained that Faith Connexion emphasizes physical production associated with digital twins. “We believe that any designer will be able to create and curate for us under their own brand, while we enable NFT tags to ensure consumers have digital ownership,” he said. The idea behind NFTs for physical designs will also allow creators under Faith Connexion to have wearables in Metaverse environments that can be used to dress avatars.

Web3 will evolve within the fashion industry

Although Web3 has massive potential to expand the fashion industry’s reach, the fact remains that very few brands and designers are incorporating these elements. While this was apparent at Paris Fashion Week this year, innovative designers like Weinsanto are hopeful that Web3 concepts will catch on. 

Image from Weinsanto's opening night showcasing the  M3TALOVE collection. Source: @alekkatar #tendaysinparis

“I think that the Metaverse is not yet well known by designers, but soon everyone will want to create collections in the Metaverse, as it is stimulating and exciting, but also easily accessible,” he remarked.

Diz added that it’s inevitable that more and more fashion houses will follow Balmain into the Web3 space since it democratizes the industry. However, he pointed out that education remains a key challenge, which is why Balmain Thread aimed to make the process of joining its community as easy as possible. He said:

“We made it clear that those joining the Balmain Thread community would never need to master any of the complex workings of crypto or blockchains in order to engage creatively with the house – all memberships were minted on the XRP Ledger, while MintNFT guaranteed security by proving authenticity via their video verification technology.”

Although Balmain decided to take this route, some industry experts believe that educating designers and creators at major events like Paris Fashion Week is critical. For example, Enara Nazarova, vice president of Metaverse at Hype — an agency that helps brands get started in the Metaverse — told Cointelegraph that Hype hosted its second digital fashion soirée at Paris Fashion Week to educate attendees on Web3: 

“Inspired by the success of our New York Fashion Week soirée, we convened at the top of Centre Pompidou, where we welcomed the leading builders in the Web3 space to discuss what comes next for the fashion industry.”

While Nazarova believes that Web3 has advanced within the crypto space, she noted that education, along with onboarding users is key for driving adoption. Although this is happening slowly, she is confident that Web3 will have a bigger presence at flagship fashion events in the future.

“Web2 brands can’t ignore digital fashion’s power to connect with millions of consumers through virtual products. Yet transitioning from Web2 to Web3 is not a one-size-fits-all solution, so companies have to embrace experimentation. I think the opportunities for fashion to leverage Web3 infrastructure are just starting to emerge.”

Fidelity and Ark Lead the Way as Bitcoin ETFs Surge

Latin Grammy Awards signs three-year contract for award show NFTs

The Latin Grammy Awards is stepping into Web3 through its first NFT collection in collaboration with OneOf Web3 music platform.

This year’s 64th Latin Grammy Awards will have its first-ever nonfungible token (NFT) collection after the Latin Recording Academy signed a three-year contract for award show-related NFTs.

The aforementioned partnership is between the Latin Recording Academy, which is behind the Latin Grammys, and OneOf, a Web3 music platform. Each collection, which will lead up to that year’s award show, will include drops highlighting Latin music.

According to Manuel Abud, the CEO of the Latin Recording Academy, this is a new form of musical innovation and a way for fans to “own a piece of the Latin GRAMMYs:”

“The Latin Recording Academy is committed to exploring innovative, new ways to celebrate excellence in Latin music and to connect music to other art forms in our culture, including visual and digital arts.”

The Latin Grammy Awards NFTs will drop throughout October in the lead-up to the award show on Nov. 18.

Related: Grammys 2022: NFTs hot topic of discussion among musicians and industry experts

This comes after OneOf’s partnership with the Grammy Awards, in which it also planned a three-year NFT release plan. The first collection was released coinciding with the 64th Grammys, for which Binance was the official crypto exchange partner.

The Grammys are not the first major award show with Web3 integrations. Earlier this year the MTV Video Music Awards announced its newest award category of “Best Metaverse Performance.”

Additionally, music industry giants have been rapidly adopting Web3 technologies to upgrade their businesses. Sony Music filed a trademark application for NFT-authenticated music on Aug. 30 of this year.

Musicians have been utilizing the technology to release NFT singles or to improve music rights and licensing. Moreover, NFTs officially became recognized as a chart-eligible format, with musicians such as Muse taking advantage of the development.

Fidelity and Ark Lead the Way as Bitcoin ETFs Surge

Music NFTs a powerful tool to transform an audience into a community

Music artists have the opportunity to develop tighter relations with their fans through the use of NFTs.

As one of the oldest entertainment industries in existence, the music business has experienced many technological advances that enhanced widespread adoption. The digitalization of music meant that artists could reach any audience across the world, and digital distribution gifted people with unlimited access to music. 

With these advances in distribution came some drawbacks in music monetization. The way musicians make money in a digital format has reduced margins from media or video revenue. Artists have been pushed back to generating revenue from offline endeavors like concerts and selling merchandise as the online landscape has been filled with intermediaries that take a piece of the pie.

“Web3 and existing platforms help us build a new chapter of the music industry.” Takayuki Suzuki, CEO at MetaTokyo — Web3 entertainment Studio — told Cointelegraph, “It was hard to find good music for me, checking many record stores in Tokyo and sometimes overseas. Now it’s very accessible via streaming.”

A new paradigm of Web3 tools is giving creators the means to develop an existing audience and transform it into a community. Fan relations have become crucial and they have never been tighter with artists in Web3.

Marcus Feistl, chief operations officer of Limewire, a Music NFT marketplace that was originally a free software peer-to-peer file sharing music-based platform, told Cointelegraph:

“The music and creator industry is certainly on the verge of a step change, moving from a Web2 model focused on content consumption to a Web3 model focused on content ownership. Artists are just beginning to find their way to best utilize Web3 to interact with their audience.”

Among the many use cases for nonfungible tokens (NFTs), the most prevailing has been the ability to form communities around token holders. The rise of decentralized autonomous organizations experimented with coordinating these communities in a digitally native way. All these unlock potential opportunities for independent artists willing to innovate in the next iteration of the music space.

Disrupting the music industry once again

The music industry has always been willing to try new things. As Mattias Tengblad, CEO and co-founder of Corite — a blockchain-based crowdfunding music platform — told Cointelegraph, “When music videos came out in the 80s, it was entirely new and people weren’t sure what to make of it. Adoption of these things often starts slowly but eventually becomes mainstream.”

Web3 platforms are in their early stages. The majority of users are crypto savvy and have a basic technical understanding of how to interact on-chain. As the space develops, Web3 music platforms can become a key piece in the way labels and artists do business and market themselves.

The opportunities presented by this technology facilitate connections between like-minded individuals breaking any previous barriers to forming a community. “It was hard to maintain great relationships in the industry,” reflected Suzuki, “I’ve been constantly meeting and re-connecting with forward-thinking people.”

These innovations aren’t exclusive to incumbents of the music industry and young talent native to Web3 can open the gates for new expression and monetization. It is encouraging the relationship between artists, middlemen and fans to transition into a community.

Related: Web3 is creating a new genre of NFT-driven music

Music innovation empowers those artists testing new technologies with the opportunity to become the next established artists of the upcoming generation. This can potentially diminish the importance of record labels to an artist’s success. Many record companies are getting involved by moving some of their activity on-chain and releasing NFT collections.

“There will always be a need for record labels, but I think the ones that fail to adapt to the changing landscape are at risk of being left behind,” Tengblad said, adding:

“Once you have a loyal group of supporters, I think the technology opens the door for you to monetize your work directly, while also sharing in the benefits of your success with your supporters.”

Successful Music NFT drops show how Web3 can disrupt the fundraising model by allowing artists to go directly to fans for funding. Those artists that make an effort to engage with their community and build a direct relationship with their fanbase will benefit the most from Web3.

From audience to community

An audience is generally understood as a one-way relationship, while a community suggests a two-way communication between the artist and its fans. For a community to be productive, those involved should enrich the creative process by actively listening to each other’s needs and proposing solutions for the betterment of the community as a whole. 

As artists shift to a more community-driven approach, blockchain and NFTs allow artists to raise funds from their fans with no middlemen and offer unique benefits and opportunities back to the people who contribute to them. Prevailing platforms are still a crucial tool for community building and music distribution to complement a Web3 strategy.

“Affordable digital recording has led to an explosion of musicians on YouTube who reach out to their community for collaborations, instant feedback, live streams, etc,” commented Tengblad, “Social media and chat programs like Twitter, Instagram, TikTok, Telegram, and Discord give people who are interested in what you are doing a chance to engage with more of your content, connect with you and with each other.”

If an artist posts a new video on Youtube, their community can contribute to the artist’s work by providing instant feedback and proposing new ideas that can help the artist grow and develop further.

Activities performed by the community tend to enjoy a bigger impact and immediately affect the growth of an artist. With the backing of a strong community, artists possess a solid foundation to build a career.

Recent: NFTs will bring crypto to billions of users, explains VC investor

The engagement process between the artist and their community has to become as simple as possible. Suzuki explained:

“Web3 will give more power to artists and creators so there would be a need for education. Intermediaries could be supporters or contributors in a community not intercepting information or money.”

This starts with clear communication and by making NFTs more accessible to everyone. Bringing NFTs and the model of content ownership closer to fans is what will ultimately drive artist communities, as it creates a much stronger and more exclusive connection between fans and creators.

“For creators, this means an easy-to-use self-onboarding process where they can create their first NFT project in just a few clicks,” concluded Fesitl, “For fans this means that you can either use a fully custodial service without the need of owning a wallet or directly connecting an external wallet, providing the full Web3 experience.”

Artists who are most prepared to succeed in today’s industry are the ones who are willing to use every tool available to build an interactive and engaged community around their work.

Fidelity and Ark Lead the Way as Bitcoin ETFs Surge