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While men wanted, women did: Empowering female creators with NFTs and crypto

Female artists and creators are implementing various forms of activism and social value into NFT collections, using them to combat gender inequality.

With the blockchain industry growing at lightspeed, businesses are actively and, even desperately, seeking out talent; and there just doesn’t seem to be enough manpower out there. Enter women — literally around 50% of the global population that has, so far, been heavily underrepresented in crypto. With most developers being men, it’s understandable this still dev-led space noticeably lacks female contributors, but as the industry surges, womanpower is needed.

And, so, women have begun slowly and steadily entering the crypto space and the world of nonfungible tokens (NFTs). While only an estimated 5% of women own NFTs, and 5-15% are creators or founders of collections, the impact of female-led NFT projects is profound. Unlike the mass of solely artistic projects, these female-led NFTs show a preoccupation with social activism and empowerment of women across the globe — a trend charged with the potential to create a new paradigm for more socially-beneficial use cases and models for the asset class.

Related: If the glass slipper doesn’t fit, smash it: Unraveling the myth of gender equality in crypto

Down with the barriers: Time, money, location and class

Initial funding is a huge setback for many women who are typically weighed down by barriers like the gender pay gap. Women have less leeway in their pay, hence fewer funds to spare — a slippery slope to creating a male-driven market. They are also thought to be apprehensive about investing in their own entrepreneurial ideas. However, this risk-averse behavior is not so much a gender-specific trait, as it is a byproduct of the gender pay gap and the fact that women have larger responsibilities in the household. A recent survey indicates that following the post-COVID “Great Resignation,” women are finding it harder to return to work, with childcare and home responsibilities bearing down as the chief reason. Today, with women struggling to return to work and getting paid less overall, it’s natural that they may be less likely than men to find the time and money to invest in their own startups.

NFTs bring art and other on-chain-compatible business ideas to the digital space, creating a low-cost solution for startups and letting more women get in the game. The decentralized and digital nature of blockchain also solves the crucial time/space inequality women are often subject to when other duties keep them away from the workplace more than their male counterparts.

By operating beyond physical spaces, NFT startups also break through class: Imagine a painter from a small town able to sell her work in the same space — for example on Open Sea — as “pedigree artists” born and raised among big names in New York or London galleries. In all, the emerging digital marketplaces have immense potential to tear down entry barriers and really level the playing field for all underrepresented groups, in other words, for all humans.

Related: International Women’s Day 2022 focuses on bringing women to Web3

Anonymity is king queen

Similar to how NFTs business bypasses class and space, it can also completely circumvent the need to present your gender thanks to the anonymous nature of blockchain technology. Traditionally, art created by women sells for around 50% less than that of male artists.

Since NFT creators are in no way required to reveal their identities or genders, women may work in a sphere unchained from the usual prejudices, stigmas, pay gaps and further obstacles that people in traditional industries, unfortunately, still face. People are more than their gender and NFTs give us a chance to separate from it or associate ourselves with it per our own volition — a privilege women have not enjoyed very often in the past.

Related: NFTs of empowered women aim to drive female engagement in crypto

Social activism female-led in NFT art

While the technology behind NFTs can itself present women with better economic opportunity, even discussing the feats of NFT projects is redundant unless we begin with how we can make the space actually accessible to women. For that, we must lay a foundation from the ground up beginning with basics like ensuring women and girls are in safe, healthy and free circumstances no matter where they live, all while having access to both basic and technical education to join the decentralized finance (DeFi) industry should they decide. In this sense, projects like World of Women, which supports causes like She’s the First and Too Young to Wed, Boss Beauties “providing mentorship programs and scholarships to young women and students around the world” and Girlies donating part of its revenue to the Malala Fund sponsor the right kind of activism that would empower girls to be able to engage the power of nonfungible tokens and blockchain.

Women-led NFT collections are among the first to focus on social change rather than just economic value or token utility. Perhaps, this indicates primarily that women’s historical context and current societal circumstances are not what they should be and, secondly, that this experience is also pushing them to innovate, adding social value to cutting-edge technology. How’s that for girl power?

Related: 10 women who used crypto to make a difference in 2021

We even incorporated mental health initiatives

A subsequent trip down NFT lane also uncovered mental health as a topic addressed by women-led NFT collections — the prime example being Alpha Girl Club, whose roadmap features a mental wellness team and mental health space.

Web3 has the potential to create a 3D internet experience, one in which we are immersed and act through an avatar in a meta-space rather than through a browser and web pages. Alpha Girls Club has created a token tied to a safe space for women with an overall mental health initiative behind the entire NFT collection. This might prove a powerful and useful resource as we develop the paradigm for a new type of internet, especially in a male-dominated NFT industry in which there are still recent reports of harassment of female Bored Ape Yacht Club members or projects that objectify females avatars like the highly sexualized Solana Sluts series.

Representation: Shaping the female image with NFTs

Female-led NFT collections also often present a drive toward diversity and representation. All the collections mentioned above, along with others like The Flower Girls, Women and Weapons and many more, are all algorithmically-generated images that show a myriad of skin tones, styles ranging from feminine to more androgynous and cultural elements, to name a few. This indicates that perhaps, finally, in the permissionless blockchain space, women will be able to actively shape the narrative of what it is to look and, more importantly, be a woman in modern society. This touch on diversity in women’s NFT projects is unsurprising, as the female narrative has historically seen extensive intersectionality with racial equality and LGBTQ+ movements.

Related: How will blockchain and crypto improve the lives of LGBTQ+ people? Experts answer

Thank you, next: Algorithmically-generated collections

That said, while empowering female representation through art is greatly served by algorithmically generated collections as an easy means of mixing all sorts of traits to female images, they can also be a little reductive in that they only generate the classic approximately 10 thousand algorithm-generated NFTs. Not a problem per se, but NFTs can do so much more to empower women and society at large. You don’t need an algorithm or a collection; you just need something to tokenize and sell on open auction spaces. And, even if algorithms are still involved, there are already technologies capable of offering much more complex algorithms that go beyond simply mixing various trait combinations — it’d be intriguing to see how female creators could apply this and move past randomized images of women.

All this notwithstanding, it’s easy to be put down in a still early-days industry where we’re still trading pixelized and/or algorithmically generated JPEGs. This is when it’s important to look ahead to how the majority of these and future NFT projects will expand their reach by — hopefully — creating upgradable NFTs, developing their relations to the physical world and growing into full-on metaverse utility tokens.

Related: Upgradable NFTs: How collaborations will leap forward

We need to talk about the men in the picture

Fair warning: This next part is a bit of a downer, but it must be addressed. here are truly many NFT collections with female founders on OpenSea: World of Women, Women and Weapons, Women Rise, Rebel Society, Girlies, The Flower Girls — the list goes on. The amount is actually surprising in the best way, given that women are offered corporate-level positions more rarely than men.

But, there is one rather disturbing trend in the majority of these collections: While the main founders and artists were women, there was often a male co-founder — most often providing the technical mastery for minting the NFTs. In most cases, these were husbands and, in one case, even a father. Now, don’t get me wrong, I truly commend these husbands, fathers and friends for supporting and empowering the women around them so they can succeed. Such “HeForShe” teamwork is precisely what is needed to slowly create the absent but desperately needed equal opportunity in all spheres. There is nothing wrong with this on an individual level, but on a macro level, the pattern implies women lack something to be self-sufficient in their NFT endeavors.

Related: Is crypto a boys’ club? The future of finance is not gendered

It’s a bleak prospect to witness how behind every successful woman in the NFT space is a man who provided a “technical boost.” It is entirely likely that women lack critical exposure to blockchain technology and coding specialties which are typically more popular among men. Still, that’s pretty grim for a demographic that makes up about half the world’s population. In this sense, we need to look into getting more women into the tech sector to create a sustainable and inclusive NFT ecosystem that women can utilize without needing additional support.

A part of this solution could be to expose women to more examples of ladies working successfully in tech and NFTs, in particular. And, this is already happening: Vellum LA partnered with Artsy to present a Artists Who Code exhibition which features NFT art by female and non-binary artists, thus popularizing female and non-binary role models in the space. Another important initiative to follow up on this exposure is to focus on the recruitment of women and other underrepresented groups in the NFT and tech industry, something most female-led collections like, for example, CryptoChicks have openly stated doing in their hiring philosophy.

Some needed solutions

Undeniably women’s history and modern context have clearly pushed us towards implementing various forms of activism and social value into our NFT collections. Women are currently a group of creators shifting the NFT paradigm from idle art to a social tool. And, the great thing about NFTs is that for once, the technology itself is helping us thrive through its options for anonymity, decentralization and permissionless nature.

However, we must still be mindful. In today’s environment, NFTs, the Metaverse and even the internet are inaccessible to women not living in developed countries, many of which face life-threatening adversity on a daily basis. In this sense, we must prioritize projects geared toward providing girls and women with basic needs and freedoms and then shift focus to education and role models in tech. Only after these basics have been secured can we truly realize women’s potential in the industry. Fortunately, we’re seeing activism grow in parallel with all sorts of other NFT applications. It is precisely this ecosystem of different female-led NFTs that can work well together to create a brighter future for women in the world.

This article does not contain investment advice or recommendations. Every investment and trading move involves risk, and readers should conduct their own research when making a decision.

The views, thoughts and opinions expressed here are the author’s alone and do not necessarily reflect or represent the views and opinions of Cointelegraph.

Teodora Atanasova is a blockchain advocate with experience in crypto-related legal and investor relations. She graduated from the Vienna University of Economics and Business with a degree in international business law. Right out of university, Atanasova joined the Nexo team at the company’s inception, taking part in business development and investment strategies during its 2018 private token sale. She has had several roles while at Nexo and has mostly devoted her efforts toward building and generating partnerships for the company.

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Museums in the metaverse: How Web3 technology can help historical sites

Historical-site metaverses may become a new business model for tourism, and they may rewrite history in the process.

Metaverse events at ancient and historical sites could soon shape up to be an alternate future for tourism.

Owners of physical castles and villas who have drafted up augmented reality blueprints of their properties think their ambitious plans to attract visitors in the metaverse will work, as virtual events can help them pay the hefty maintenance bills for their aging properties and also offer a chance to change historical narratives.

The metaverse tourism model was expedited by downturns in tourism brought about by COVID-19, but the industry may have already been heading that way. 

Currently, major metaverse platforms are clunky, difficult to use and waiting for more “real estate” development, but firms are concentrating on what could be. Brands seem to be entering the metaverse en masse just for PR bragging rights.

So, it seems the possibility of learning existing, new and revised histories through the metaverse is not so remote. 

Nonfungible castles, villas and chateaus

Michelle Choi, founder of 3.O Labs — a Web3 venture lab — turned to digital opportunities to finance the upkeep of physical paintings, such as selling nonfungible tokens, or NFTs, as fundraisers to preserve illiquid assets.

Choi was a product manager at Google when she noticed the downturn in museum tourism due to COVID-19, seeing it as an opportunity for future metaverses. She subsequently quit her job and started her own metaverse experiments.

She began by working with a team to launch Non-Fungible Castle, an NFT exhibition and auction at Lobkowicz Palace, a real-life castle in Prague, held in October 2021. The event saw NFTs displayed next to 500-year-old paintings and had the goal to “broaden accessibility to cultural heritage.”

The launch raised enough to cover the restoration of all urgent projects at the property. Motivated by this proof-of-concept, Choi and 3.O Labs are now busily curating metaverse tourism experiences globally.

With the broader mission of making Web3 accessible to all users, 3.O Labs is already incubating an array of Web3 projects ranging from NFTs to decentralized autonomous organizations, or DAOs. Within its metaverse vertical, the venture lab is already building a project in a castle in Germany, which will be followed by a villa in India and then possibly a museum in Ghana.

Lobkowicz Palace. Source: Prague Morning

 Choi told Cointelegraph about her long-term vision for metaverse travel:

“Travel will be augmented as a teaching tool. In the past, tourism meant visiting a place. Photos were 2D, but 3D travel then emerged with virtual headsets. 4D time experimentation is now possible. Now, we can mesh different time periods. There’s a teaching angle.”

This raises a series of questions regarding what new histories will be created in the metaverse.

Will history be rewritten in the metaverse?

For better or worse, tourism businesses, education platforms and museums could reimagine history in the metaverse.

Priyadarshini Raje Scindia’s family owns Jai Vilas Palace, a 200-year-old palace-turned-museum in Madhya Pradesh, India. She is planning an NFT collection produced by local artists to fund a metaverse experience. COVID-19 shut her museum for two years, allowing time for some needed — but expensive — restoration work. 

Scindia told Cointelegraph that NFTs should be embraced as art, as “Every generation has its art and the interpretation of it. This is a new medium and a new platform for hungry, emerging Indian artists.” She added that there “should be no barriers around art creation.”

Scindia is convinced that the metaverse is the future, as “A person usually visits a museum once,” but they can visit multiple times in the metaverse. She says that in India, especially, museums are not the first destination people think to go to for entertainment. Private museums in small towns can be taken for granted, especially when compared with shopping malls and cinemas. So, she is working with 3.O Labs to “create immersive experiences — for example, animations that allow you to put yourself in short history documentaries.” It’s about opening more doors for conversations and education.

Scindia also has a story to tell the world via the metaverse:

“I disagree with my family history. We have rooms of research documents in the palace. Now is the right time and the right platform to correct history.”

She told Cointelegraph that the historical narrative she would like to paint with her immersive experiences is “to tell the real story of my clan, the Maharatas. Retelling the story told by the British, which sounds like a Game of Thrones book — dark and barbaric. We fought for independence from all exterior forces, yet it was made out that we were fighting Indians in India. It is a historic fact that the Maharatas were the rulers of India, post the Mughals. And their narrative and value system are even more essential to study and understand today. I would like to use the platform to change the narrative through art, culture and history.”

“I disagree with the way Maratha history is portrayed. However, today there is a renewed interest, maybe because of the glamor of cinema, but there’s also a new world out there. People have a deep interest in history today and are rediscovering art and history. The metaverse may be the right platform to inform and educate people, to generate interest, so they may start their own journey of a deep dive into history, art and culture through this amazing world.” 
Jai Vilas Palace. Source: Mohitkjain123

DAOs for castles, villas and chateau restorations

Prince Heinrich Donatus of the Schaumburg-Lippe family owns Bueckeburg Castle, a castle in northern Germany, 45 minutes from Hannover. Schaumburg-Lippe was one of the 16 reigning families of the German Empire until 1918. Later, the British Army of the Rhine confiscated the castle to use as its headquarters from 1948 to 1953. It had previously been under American control following the end of World War II in 1945 until Germany’s occupation zones were established.

A bullet hole in the outhouse serves as a reminder of the castle’s recent history. Americans were the first to arrive at Bueckeburg during the war, and their tank shell that penetrated the dome is still viewable in the castle’s museum. The family exhibits the shell and has left the hole in the ceiling as a reminder of the war.

Donatus has the same idea as Scindia: a metaverse for historical preservation.

Bueckeberg Castle. Source: Trip Advisor

Donatus, who co-founded 3.O Labs with Choi, will soon operate an NFT exhibition and a DAO-focused hacker house at the castle. He told Cointelegraph that “The metaverse isn’t a virtual reality world. It is a new economy. For example, the incentivization to enter the metaverse could be to protect a castle.”

But why support noble families in 2022?

For illiquid assets like sprawling estates, the cost of maintenance can outweigh a family’s cash flow. The preservation of privately owned sites of historical significance is, therefore, a significant challenge for owners and a national or global public good. 

In 2001, Donatus’ grandfather sold a castle for 1 euro, and the new owner’s latest two attempts to sell the same castle for 1 euro failed to find a buyer. Donatus added:

“Foreigners who buy European castles give up after a year when they realize what is involved.”

“The Bueckeburg castle is not meant to be lived in anymore — it is primarily a cultural site,” Donatus said, “We have the sole responsibility to maintain this history working with limited resources, and suddenly resources can be vastly enhanced and crowd-sourced.”

“Virtual tours could be profitable, though metaverse ideas could take several years to pay back,” noted Choi. “But long term, there are no maintenance or air conditioning expenses for the metaverse.”

Donatus said he foresees a launching DAO treasury for renovations, akin to a “people’s UNESCO” — a reference to the United Nations agency tasked with protecting sites of cultural and historical significance.

DAOs are not constrained by borders, and this can create network effects for new models of tourism. “A sort of PleasrDAO for castles,” said Donatus. “They will include decentralized access/stewardship to castles, and castle hackathons — as castles are a cool place for meetups.”

Augmented 4D metaverse events 

Historical storytelling and experiences can also be augmented to create surreal and impossible scenarios.

“Under no circumstance do I want to experience things I can experience in the real world,” said Donatus. “The Metaverse can recreate and preserve the past.” He said one could create a “tennis match in a ballroom in the Palace of Versailles as a great tourist drawcard.”

Choi said, “In the metaverse, we can upload guns and recreate wars for historical teaching purposes.” Historical reenactments with reconstructed weapons happen all over the world, including in the United States, Germany, Russia, the United Kingdom and Italy, and there may be many future teachable moments in the metaverse.

If metaverses truly are the future, the planning for their rules and composition starts now. This is why, for example, a group of Indigenous Australians plan to set up an embassy in the metaverse. Mixing the ancient and the new is seemingly tenuous, but it all depends on how bullish one is about the significance of the cultural totems in the metaverses of the future.

As metaverses become new models for tourism, they may also rewrite history in the process.

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Grammys 2022: NFTs hot topic of discussion among musicians and industry experts

Music industry experts and leading musicians discussed and showcased NFTs at the 2022 Grammys.

The billion-dollar music industry has shown recent interest in nonfungible tokens (NFTs) as musicians everywhere are beginning to understand the power of moving away from centralized business models. 

This concept is currently being demonstrated by early innovators like the popular rapper Snoop Dogg, who recently acquired Death Row Records with plans to transform the company into the first NFT recording label in the Metaverse. Country music icon Dolly Parton also recently launched her first NFT collection dubbed “Dollyverse,” which consists of tokenized artwork and music as part of a promo for her album Run, Rose, Run. 

NFTs: A topic of discussion during the 2022 Grammy Awards

While notable, the intersection of music and NFTs was brought to fruition during the 64th Annual Grammy Awards, which took place on April 3, 2022, at the MGM Grand Hotel and Casino in Las Vegas. The Grammys may very well be one of the most important events for the United States music industry, as a series of awards presented by the Recording Academy are given to recognize outstanding achievements within the music sector. 

Given the rise of NFTs, nonfungible tokens were hot topics of discussion during the 2022 Grammy Awards. Trevor Noah, comedian and host of the 2022 Grammy Awards, joked mid-way through the event, “You know it’s been rough when your favorite artists go from trying to sell you music to pictures of digital monkeys.” The remark was referencing the Bored Ape Yacht Club NFT collection. But, NFTs proved to be more than just a chuckle during the Grammys this year, as industry experts expressed interest in nonfungible token use cases. 

For example, Tia Smith, Grammy governor and co-chair of the Music Video Committee, DC Chapter and the owner/executive producer and director of talentedSOL productions, told Cointelegraph that she is interested in learning more about NFTs and what they mean for the creative community as a whole:

“NFTs seem like a very viable form of expression and commerce. There have been so many different industries adopting NFTs, and I’m very interested in creating content and forming partnerships to create NFT artwork as an extension of music, television and film.” 
Tia Smith (center) with Cointelegraph senior reporter Rachel Wolfson (left) at The Grammys 2022. Source: Tia Smith

Smith added that her wheelhouse is film and television production, noting that this particular industry has undergone a number of transitions over the years. “We’ve seen the inception of film, video, digital, high-definition and so forth. But, there are other ways music and aspects of art are thriving, so I’m very much interested in the evolution of film and NFTs,” she remarked.

While the NFT sector is still an emerging concept for music industry experts, Smith shared that she can understand how nonfungible tokens could soon be incorporated into major live shows such as the Grammy Awards moving forward. “We are living in the age of intellectual property and this is just another extension of this,” she said. 

It’s also notable that a few mainstream musicians decided to launch NFT collections during the Grammys this year. For example, the American rapper and record producer Gerald Earl Gillum, also known by his stage name “G-Eazy,” told Cointelegraph that he was extremely excited and honored to launch his first NFT collection at the Grammys this year. Known as “The Geralds,” this collection was created by the graphic designer Dzanar and launched on the NFT music platform built on Tezos’ OneOf NFT platform. G-Eazy explained that this drop features 10 unique 3D-NFT avatars that represent his diverse personality:

“Anyone who knows me would say I’m an eclectic person with different interests and hobbies. So there are different avatars in this collection to represent that. For example, there is the ‘snowboarded G’ who loves the mountains and there’s a black leather jacket G with slicked-back hair who gets on stage to perform.” 

While “The Geralds'' collection is certainly unique, it’s important to point out that G-Eazy may be the first artist to showcase an NFT collection at The Grammys. G-Eazy elaborated that this was important for him, given the pace of innovation today. “You have to pay attention to what’s going on, and this is where the world is now,” he commented. G-Eazy added that he has always been a big believer in art not being limited to one medium, noting that both of his parents are visual art professors. “I grew up appreciating many different forms of art and I think this is all cross-compatible with various industries.” 

In addition to G-Eazy’s NFT collection being launched during the 2022 Grammys, Colin Fitzpatrick, CEO of Animal Concerts — a platform that helps artists enter Web3 — told Cointelegraph that the Avila Brothers presented and unveiled their new hit track at the Resorts World Hotel in Las Vegas for the first time. “The track features Billy Ray Cyrus and Snoop Dogg and is called ‘A Hardworking Man.’ Animal Concerts are executive producers,” said Fitzpatrick. According to Fitzpatrick, an upcoming NFT launch will soon follow the newly released track. 

NFTs hit the red carpet this year, but why? 

While it’s noteworthy that NFTs were a topic of discussion at The Grammys this year, it’s important to point out that early NFT use cases came into development in 2017. As such, some may be wondering why it took over five years for nonfungible tokens to enter the spotlight. 

Josh Katz, CEO of Yellow Heart — a marketplace for music NFTs and live-event NFT ticketing — told Cointelegraph that one year ago, no one in the music industry really knew what nonfungible tokens were. Yet, Katz believed this changed when the American rock band, Kings of Leon, released one of the industry’s first NFT albums with Yellow Heart in March 2021. “Following this album, everyone in the music and entertainment industry started paying attention to NFTs. The more creative artists jumped in first, then everyone else started to poke around,” said Katz. 

Fast forward almost a year later — Katz believes that the music industry is now seeing mainstream adoption of NFTs given the potential around nonfungible tokens:

“For years, we’ve had multiple formats of music content, whether this has been CDs, tapes or streaming platforms. But, now, fans want to be a part of an experience. They want to gain access to perks and utility, so NFT platforms are now releasing NFT music that a certain amount of fans will buy from innovative artists. This will soon become another revenue stream which many people in the music industry are now realizing.” 

To put this in perspective, Katz explained that traditionally, recording artists and musicians receive micro-payments from streaming services like Spotify that then go to a third-party record label, publisher and others. “All of these entities take a percentage of the payment and the rest trickles back to the artist. We call this the 90/10 rule, where an artist will take home only 10% of their earnings and everyone else gets the other 90%.” With NFT albums, however, Katz noted that an artist can sell a lot less and keep 90% of their earnings or more. Katz added:

“The 2022 Grammys represents an inflection point where creativity is on display. NFTs are the future of the industry and the smarter artists at The Grammys are aware of this.” 

Crypto companies sponsor the 2022 Grammys to further innovate 

Given this, it’s also notable to point out that two crypto companies served as main sponsors during The Grammys this year. Binance, the popular cryptocurrency exchange, and OneOf, a green NFT platform working with musicians like G-Eazy, both had a major presence at the 2022 Grammys. Lin Dai, CEO and co-founder of OneOf, told Cointelegraph that he was excited to see tier-one companies in the blockchain space bringing crypto and NFTs to The Grammys:

“The Recording Academy is the most important institution for the music industry and we know they are very selective when deciding which companies to align their brand with. We are excited that more and more crypto and blockchain companies are getting involved with the biggest tent pole events in music, sports and lifestyle and we expect the trend to continue.”
Binance logo on display at The Grammys 2022. Source: Rachel Wolfson

A Binance spokesperson further told Cointelegraph that Binance wanted to have brand visibility through its recent partnership with the Recording Academy. “We are exploring various avenues in which we can bring Web3 technology to the music community,” the spokesperson said. While innovative from a marketing perspective, the Binance spokesperson added that moving forward, Binance will be educating the Recording Academy’s members on cryptocurrency and how blockchain can help make their business more forward thinking and financially secure. 

Indeed, this appears to be the case for both musicians and businesses within the entertainment industry. For example, MGM Resorts International — the venue where The 2022 Grammys were hosted — recently announced a partnership with Yellow Heart to issue NFT tickets for its newest production, “Timeless.” The show features the dance crew, the Jabbawockeez, and will be Las Vegas’ first NFT ticketed performance. 

Andrew Machado, senior vice president of digital design and business adjacencies at MGM, told Cointelegraph that NFTs for ticketing could provide value for guests. “They turn something as mundane as a concert ticket into a living breathing digital object that can change with each situation such as entering the venue for a show or after the show as a collectible.” Machado added that the creator now has a one-to-one relationship with the NFT owner, meaning they can airdrop holders new content. “For example, in the case with Jabbawockeez, NFT holders will receive food and beverage credit at MGM’s Level Up lounge,” he said. 

In terms of issuing NFT tickets for a major event like The Grammys, Machado believes it’s possible, but only time will tell. “MGM Resorts sits at the intersection of entertainment and gaming and we believe NFTs can play a part there, but time will tell on consumer adoption.”

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Snoop Dogg and Billy Ray Cyrus to launch hit song backed by massive Animal Concerts NFT drop

With so much drama in the LBC, it’s only right that we drop a dope NFT.

Recording artists Snoop Dogg and Billy Ray Cyrus have teamed up to release a new smash single, “A Hard Working Man.” The hip hop-country mashup, produced by the legendary Avila Brothers, will debut on April 2 during Grammy weekend in Las Vegas.

Cyrus’ 2019 hit remix of “Old Town Road” with rapper Lil Nas X made history by going 16x multi-platinum in the United States. Asked about his genre-bending approach to music, Cyrus replied, “My philosophy to making music is no limitations. No rules, no limits, no preconceived notions. Don’t try to think inside the box or outside the box, just think like there is no box.”

Adding to the excitement of the song’s debut, metaverse entertainment company Animal Concerts is hard at work (pun intended) developing a new 50,000-piece nonfungible token (NFT) drop to accompany the single. Cointelegraph is producing the artwork for this massive collection, which will be featured on Crypto.com NFT. The drop also features an exciting array of redeemables for music fans, from concert tickets and backstage passes to merch and free tickets to Animal Concerts’ “Meta-Concerts.”

Animal Concerts recently burst onto the scene with a host of high-profile live concerts featuring some of the hottest names in music, from Alicia Keys and Future to Meek Mill.

Bridging the NFT world, the metaverse and utility for the community, Cointelegraph and Animal Concerts will be expanding their collaboration beyond this drop. In the coming months, the two will be releasing other high-profile NFT collections, including with beloved celebrity dog Izzy the Frenchie and some of the biggest names in music.

Animal Concerts is reinventing the future of concerts. From interactive metaverse shows to immersive live events, Animal Concerts enables established and emerging artists to deliver amazing next-generation fan experiences. Stay up to date with all upcoming announcements, launches and Meta-Concerts by following Animal Concerts on its social platforms.

Cointelegraph is the world’s largest independent digital media outlet covering a wide range of news on blockchain technology, crypto assets and emerging technology trends. Since 2013, Cointelegraph has delivered the most accurate, up-to-date news from both the decentralized and centralized worlds.

Award-winning entertainer and icon Snoop Dogg has released 19 studio albums, sold over 40-million albums worldwide, reached No. 1 countless times on Billboard charts internationally, and received 20 Grammy nominations. In addition to his extensive work in music, Snoop Dogg has made his mark in the television and film space, with numerous partnership deals with major studios and networks, including TBS, Netflix, VH1 and more.

Billy Ray Cyrus is a critically and commercially acclaimed superstar who has established himself as a household name across multiple areas of the entertainment landscape, including music, television, theater and more. When one scopes out Cyrus’ trophy case, the awards are represented across all genres: Grammy Awards, Billboard Music Awards, BET Hip Hop Awards, MTV VMA Moonmen, Country Music Association Awards and American Music Awards, among many other accolades.

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Nifty News: Luxury brands join Decentraland’s Metaverse Fashion Week

From Dolce & Gabanna to Giuseppe Zanotti, major fashion companies took to Ethereum-run Decentraland to interact with new consumers in this virtual experiment.

This past weekend, Decentraland hosted the Metaverse Fashion Week, or MVFW, a four-day digital fashion event that staged wearables on virtual runways, organized discussion panels, and housed shopping experiences. A lineup of both legacy luxury labels and digital brands participated, including Dolce & Gabbana, Etro, Tommy Hilfiger, Estée Lauder, and Elie Saab.

Meanwhile, digital-native fashion houses Auroboros, DressX, and republique hosted immersive spaces and stores within specific fashion districts, designated by coordinates on a map. Just like New York Fashion Week events may take place across different boroughs of the city, so did Decentraland's MVFW materialize across different districts. 

Main venue for runway shows. Source: UNXD

Dolce & Gabbana puts on a literal catwalk 

Dolce & Gabanna unveiled 20 full looks of Metaverse wearables that they specifically designed for the Metaverse Fashion Week. Playing on the term catwalk, they used cat-faced avatar models to showcase the collection. After the show, the full collection became viewable in an exclusive Dolce & Gabbana pop-up in Decentraland’s Luxury Fashion District, curated by luxury-focused marketplace UNXD. UNXD, as well as Vogue Arabia, were core partners of Decentraland in curating the traditional fashion brands at MVFW.

Recently, Dolce & Gabbana sold a series of NFTs for about $6 million as part of another collection co-created with UNXD. D&G's next step into the metaverse is the launch of the DGFamily NFT Community, which intends to give members exclusive access to physical and digital drops and wearables. DGFamily holders will receive airdrops from this MVFW collection. 

Etro debuts upcoming collection on the runway

Etro, on the other hand, decided to preview a real-world collection for their first fashion show in the metaverse. Called Liquid Paisley, the collection consists of women's and men's ready-to-wear looks worn by 20 avatar models and celebrates one of the fashion house's iconic prints and color palettes. It also includes a range of must-have accessories, bags, hats, and shoes. In partnership with UNXD, Etro also set up a pop-up boutique in the UNXD Luxury District full of other designer brand names.

Cointelegraph spoke to Shashi Menon, the Dubai-based publisher of Vogue Arabia and UNXD's co-founder and CEO, about why so many luxury brands are jumping onto the Metaverse bandwagon. Menon said the idea to launch a  proper fashion week "was the best starting point because it resembled something familiar," and according to him, "The best way to get people into a space they are unfamiliar with is to use something that they are familiar with."

Italian shoe brands enter Decentraland

Two other Italian brands, Hogan and Giuseppe Zanotti, debuted NFT collections. In collaboration with Exclusible, a platform for luxury NFTs and Metaverse activations, TOD'S Group-owned Hogan dropped the "Untraditional" NFT collection of the brand's first-ever sneaker. They set up a pop-up store residency in Decentraland, within Boson Protocol's metaverse marketplace, in order to sell its physical products as redeemable NFTs within the Boson Portal. The creative studio Braw Haus chose the five NFT artists that designed the collection.

Hogan's virtual pop-up store. Source: Exclusible.

Similarly, Italian footwear designer Giuseppe Zanotti released a series of sneaker NFTs for MVFW in partnership with the blue-chip NFT community, DeadFellaz, and the neuno NFT marketplace. This collaboration offers limited-edition digital-only Giuseppe Zanotti “COBRAS” sneakers. Zanotti originally released the physical version of these bright green shoes with the snake detail in 2021. Additionally, while Deadfellaz is also offering physical garments through Boson Protocol, neuno is giving its neuCard VIP members a green bucket hat, two shirts, and a bomber jacket to go with the COBRAS.

COBRAS sneakers. Source: Giuseppe Zanotti.

Republique sells luxury accessories 

Metaverse-ready fashion house, republiqe partnered with a Paris-based e-commerce platform called Monnier to launch a virtual accessories store within Decentraland's Luxury Fashion District. American COACH was among the brands in the store to convert an existing physical item into an NFT wearable. republiqe helped to create COACH’s first-ever NFT of its "Pillow Tabby Shoulder" handbag.

Known as a clothing brand, republiqe showcased five bespoke outfits for its store, and worked with other brands including Axel Arigato, Ester Manas, Wandler, and Osoi. This virtual shop allows Decentraland users to walk in, view, and purchase any of the designer apparel.

Other Nifty News

Fashion NFTs are clearly a big trend as more and more mainstream designers are debuting NFT collections in the Metaverse this year. And as fashionistas increasingly use NFTs to express their style on Web3 platforms and in the real world, the future of digital fashion will be likely favorable to those with the first-mover advantage. 

In addition to runway shows in Decentraland, DressX worked with Fendi to design digital garments used in an interview spread for the fashion magazine Haute Living in January. It was the first fashion magazine cover in the United States to display digital luxury designer garments on a human, and the designs could then be purchased directly on the Fendi website.

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NFTs are changing the way photographers create and market content

Photography NFTs have been relegated to a secondary role since last years’ generative art craze but still offer opportunity for artists.

Since their explosion last year, nonfungible tokens (NFTs) have shown their appeal to collectors, investors and traders alike.

They have especially gained attention in the art world, where an item’s provenance is everything, and owning the official, unique version of an item is much more valuable than a copy or duplicate.

Some have postulated that artists creating and storing pieces on-chain can use the technology as proof of ownership for popular art forms.

Among the various artforms to take advantage of NFTs, photography has also found its place, but what is the immediate value it brings for artists and consumers?

Indeed, as a nascent, quickly developing technology, NFTs are not without limitations.

Related: What is crypto art, and how does it work?

Most participants began getting acquainted with NFTs through marketplaces such as OpenSea in the first half of 2021.

The first wave of artists experimenting with this new technology has followed a personal, curated approach toward onboarding new talent. Twitter Spaces and Discord servers have proven vital channels to support outreach in the NFT ecosystem.

The significance of content control 

Photography now produces an unprecedented supply of content, and NFTs are a tool to continue accelerating and democratizing content while providing new ways to generate revenue from those resources.

Photographer Marshall Scheuttle told Cointelegraph how the current Web2 model of “compensation by exposure” has been detrimental for artists.

“How we present our work has been largely dictated by the existing platforms, and as the space grows and evolves, it is imperative for us as artists to contribute new solutions and options for how we can better reach our audience while meeting the needs of the artists to showcase their work,” said Scheuttle. 

“Content is out in the world, and trying to gate it at this point is seemingly impossible. I want my content to be in as many places as possible, as long as I have ways to compensate myself for its production.”

Artists cannot freely distribute their art through traditional channels to create a fast, direct positive impact. 

Blockchain technology, through NFTs, has allowed artists to define their terms, given the nature of transactions occurring in the open that make the space more transparent.

Acknowledging intellectual property

NFTs provide individual pieces of art with a supposed proof of provenance, which is appealing to many artists striving to take back full ownership of their work and expand their art to new audiences.

However, there is a slight difference between provenance and copyright.

Most of the challenges to enforcing copyright come from the NFT marketplace. Many online marketplaces trade in NFTs, and the majority of them follow an auction-style scheme with different levels of curation. However, these platforms do very little to protect property rights and usage. In some instances, bad actors have been seen stealing photos and then making NFTs of them.

There is no pragmatic scenario where people aren’t counterfeiting or repurposing others’ content. Both individuals and companies have been using imagery without authorization in the Web2 world without mainstream repercussion — it’s nothing new to digital art.

Copying crypto art is technically impossible, as pasting an identical copy of the image cannot capture the information that constitutes the NFT component of the artwork.

The current NFT space promotes the open flow of information and seeks to value the provenance of the content existing on the blockchain. Crypto artists certify and mint NFTs linked to the authenticity of the art created that can then be uploaded to various marketplaces to target potential buyers. 

Julie Pacino, the daughter of the legendary actor Al Pacino, started self-funding her project “Keepers of the Inn” by minting a collection of photography NFTs to retain creative control over her work.

Shot from Pacino's “Keepers of the Inn.” Source. Keepersoftheinn.art

Rethinking marketing strategies

Anyone with a camera and an internet connection has the same opportunity to create art and monetize it. More quality work will be available with a new wave of professional and amateur photographers getting involved in the space. Those photographers willing to accept marginal income for their work will set the floor prices.

Artists in the ecosystem have to keep their audiences engaged to remain relevant. By allowing people in the space to read the story, hear the words and understand the process, artists establish a vital emotional connection.

Elise Swopes, a self-taught photographer and graphic designer who made $200,000 in 10 months by selling her work as NFTs, told Cointelegraph: 

“There feels like a lot of pressure to shift your style to appease the mass market of 3D designs and illustrations, but it’s a neat reminder that I am quite passionate and driven to create what I love instead of trying to keep up.”

Artistic credibility drives prices in the secondary market. An authentic NFT will only have the perceived value attached to the art, artist and community.

The Shade. Souce: Elise Swopes.

Being technically gifted will not be a crucial differential factor toward building an audience, as pseudonymous NFT art collector “6529” described. Those artists standing out from the crowd have to craft memorable experiences.

“So your job is to make the connection, to find something that speaks to that subset of people (tiny subset is fine, 1,000 is more than enough to have a wonderful career doing exactly what you love) that love and appreciate the same thing you do.”

A great example of this is the story of Sultan Gustaf Al Ghozali, a 22-year-old computer science student from Semarang, Indonesia. He converted and sold nearly 1,000 selfie images as NFTs as a way to look back on his graduation journey. The collection generated a total trade volume of 397 Ether (ETH), currently equivalent to more than $1.2 million.

Overcoming technological barriers

Artists face the challenging task of transitioning their collections and individual images to the NFT space. The initiation process can be daunting for beginners, but the promise of a new audience with direct compensation and support is a powerful incentive. 

Swopes said:

“The most exciting part about NFTs is not having to exchange the purpose of my digital art for print. I think my art looks best on a screen.”

Better onboarding mechanisms will encourage people to start regularly engaging with photography NFTs and redefining what it means to create art. The steep learning curve will flatten with more curated educational content, easing the experience of navigating the marketplace and finding the desired art piece.

Curated platforms are thriving with one-of-one marketplaces. A hybrid approach such as the NFT photobook “Morningstar” by Scheuttle is an innovative way that adds value to the project. He explained that NFTs provided him with the tools to earn fair compensation for his work while helping him grow as an artist.

Creatives are constantly pushing the boundaries of what technology can achieve, and they are just starting to understand the possibilities NFTs have to offer photography. 

The natural evolution of photography is to embrace these new tools and adapt to the changing times so that a new generation of photographers can thrive in Web3.

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The metaverse will change the paradigm of content creation

The metaverse is a new frontier for business, and creators will be the first to benefit from showcasing products and services to followers.

Content constitutes the essence of the internet and comes in many different forms that the current Web2 internet iteration supports — text, audio, video or a mix of all three. However, content is scarcely a free resource. It is content creators who are now becoming opinion leaders, influencers and the cornerstones of so many of the critical services businesses rely on, such as advertising, marketing and public relations management.

The need for content and its strive for independence — embodied by thousands of bloggers and indie performers — has spawned an immense online economy that trades talent and often rakes in sales volumes many a top-level artist would salivate to earn. This economy has been dubbed the creator economy: a financial framework that allows independent individuals to earn on their self-expression by feeding audiences the type of content they are willing to pay to consume.

A rising force

The creator economy is a tremendous force: a unique, online phenomenon that overstepped the $104-billion market size threshold at the end of 2021. Given the snowballing demand for new content on popular platforms, such as TikTok, that empower independent artists and performers, experts are hesitant to make forecasts about the potential market size of the creator economy in the near future.

The reason for the lack of tangible predictions is that the creator economy is an extremely young phenomenon that started with the COVID-19 pandemic. The lockdowns evoked a wave of talent among people confined indoors, resulting in a release of creativity that others sharing confinement were eager to consume as much-needed entertainment.

Related: The best is yet to come: What’s next for blockchain and the creator economy

Considering that micro-entrepreneur creators are closely related to influencer marketing, which spots around $13.8 billion in market size, it is possible to understand the prospects that further expansion of the phenomenon can yield. More importantly, experts believe the transition to a new technological medium will allow content creators to overwhelm markets and industries with new opportunities for product and service promotion.

Decentralizing talent

More than 50 million creators are driving their own economy of talent, attracting in excess of $800 million in venture capital. Such figures are but a shadow of what they can become later, as new venues are rapidly becoming available.

The development of blockchain technologies has resulted in a sweeping revolution across financial markets, empowering individuals instead of institutions and channeling ownership of data and funds to their holders. The qualities of the blockchain — immutability, full transparency and the trustless nature of operations — have permeated many industries, swooning the balance of business orientation from centralized corporate reliance to decentralization. This shift in the basic concepts that govern relations between participants to transactions, facilitated by smart contracts, has not gone unnoticed in the creator economy.

With the decentralized finance and GameFi sectors marshaling across their respective industries and detracting droves of users from conventional approaches to banking and gaming, it was only a matter of time before influencers and content creators decided to shift the paradigm in their operating environments. The content creation model has been altered forever with the incorporation of blockchain technologies that allow users to incentivize content creators, while creators can actually monetize their talent without having to share the proceeds with centralized, often-unfair hosting platforms.

Related: DAOs are the foundation of Web3, the creator economy and the future of work

Going metaverse

The development of metaverses — fully digital environments powered by the blockchain on Web3 and virtual reality — will herald a new era in content creation. Never before has talent had access to such an advanced set of tools to embellish even the bravest of ideas on the threshold of the real and digital worlds.

Metaverses allow creators to visualize in stunning graphical detail anything from an opera concert in the void of space against a backdrop of nebulae to a blog stream on a deserted island. Anything creativity can fathom can be implemented in the metaverse for the benefit of all parties involved. By relying on the unlimited opportunities of the metaverse in its incorporation of virtual reality, content creators will be able to unleash their creativity and allow it to roam wild. Such promises of unseen quality of content can only be described as honeysuckle for an eager audience of viewers longing for more variety in types of content consumed — and, more importantly, new experiences.

The blockchain basis of the metaverse offers even more benefits for content creators, as it allows them to employ various mechanisms for monetizing their content through the versatile nature of internal cryptocurrencies. Users can stake their digital assets on specific creators, encouraging them to release more content of a certain type. Others can pay to access special content, while others can simply reward their favorite creators with donations. The monetization avenues are numerous, and content creators can always be sure that their talent will be paid for and no hosting platform can strip them of their earnings.

Even more lucrative are the prospects for businesses in terms of content-creator economy permeation in the metaverse. Marketing, advertising and promotion in general gain a new lease on evolution with content that can be tailored in an endless variety of ways and seamlessly integrated into the channels of select creators. The metaverse provides businesses with an entirely new frontier for deployment and audience reach, and the creators are the takeoff ramps that can showcase products and services before their followers — for a price.

In digital hindsight

The metaverse is the next iteration of the internet we know today: a fully user-centric environment serving the purpose of elevating creativity to a new level. However, audiences will not be the only sources of revenue for content creators, as businesses are eager to tap into this lucrative niche and leverage the possibilities offered by native, organic and highly versatile ad integrations in virtual reality content.

This article does not contain investment advice or recommendations. Every investment and trading move involves risk, and readers should conduct their own research when making a decision.

The views, thoughts and opinions expressed here are the author’s alone and do not necessarily reflect or represent the views and opinions of Cointelegraph.

Johnny Lyu is the CEO of KuCoin, one of the largest cryptocurrency exchanges, which was launched in 2017. Before joining KuCoin, he had accumulated abundant experience in the e-commerce, auto and luxury industries.

Solana Witnessing ‘Diminishing Momentum’ Compared to Bitcoin and Ethereum, According to Glassnode – Here’s Why

NFT fashion hits the runway as designers launch in the Metaverse

Mainstream designers are debuting NFT collections in the Metaverse this year, demonstrating the future of fashion.

The rise of the Metaverse has resulted in an entirely new digital economy, one defined by virtual experiences and interactions. In turn, metaverse ecosystems consisting of avatars are also emerging, allowing individuals to express themselves through digital customizable 3D characters. This idea was recently broadcasted to the mainstream when Facebook’s parent company, Meta, introduced a series of inclusive avatars. 

While the Metaverse may sound futuristic, recent findings from technology research and consulting company Gartner predict that 25% of people will have spent at least one hour per day in the Metaverse by 2026. Gartner vice president Marty Resnick has also predicted that 30% of organizations worldwide will have products and services in the Metaverse by 2026.

Fashion NFTs are the next big trend

Given this, it shouldn’t come as a surprise that digital fashion created for metaverse environments is also starting to unfold. Lokesh Rao, co-founder and chief operating officer of Trace Network Labs — a decentralized protocol enabling lifestyle and luxury brands to enter the Metaverse — told Cointelegraph that fashion has always been a way for people to express and carry themselves in the physical world. Yet, as it becomes more common for people to split their time between the physical world and the Metaverse, Rao believes that demand is growing for virtual luxury lifestyle goods. In particular, Rao mentioned that digital fashion in the form of nonfungible tokens, or NFTs, are starting to gain traction with major brands and high-end fashion designers:

“Fashion NFTs are simply tokenized outfits, accessories, textiles and other wearables that have been created to exist in virtual worlds. Their purpose is quite straightforward. They provide a way for us to express ourselves in the Metaverse.”

To Rao’s point, it’s become apparent that major brands are starting to pay attention to NFTs. In December 2021, sportswear manufacturer Nike announced the acquisition of virtual sneakers and collectibles brand RTFKT as the first step toward metaverse enablement. Dani Loftus, founder of This Outfit Does Not Exist — a digital fashion platform — told Cointelegraph that the acquisition demonstrates that traditional fashion brands will soon have to move closer to digital models. “In the future, the Metaverse and digital fashion will have to be taken seriously,” she said.

It’s also notable that high-end luxury brands such as Dolce & Gabbana and Jimmy Choo, launched their own NFT collections last year during New York Fashion Week 2021. Dolce & Gabbana’s nine-piece NFT collection was designed by UNXD, a creator and curator boutique for iconic luxury brands. Shashi Menon, the Dubai-based publisher of Vogue Arabia and founder and chief operating officer of UNXD, told Cointelegraph that fashion plays an incredibly important role in identity, as well as NFTs:

“Part of UNXD’s thesis is that fashion is going to be one of the first killer use cases in the Metaverse. What’s in your wallet says something about who you are, how you want to be perceived and what you can do on Web3 platforms or even in the real world.”

With this in mind, Menon added that UNXD is focused on crafting not only the best visuals that can be enjoyed as art but is also unlocking experiences with the world’s top brands for UNXD’s collector community. “This is all made possible because of NFTs,” he remarked.

Fashion NFTs hit the runway in 2022

Given the impact NFTs are already having on the fashion world, it seems only logical that digital designs are now being presented in metaverse environments. Specifically speaking, the fashion world and Web3 truly collide as “Metaverse Fashion Week” events come to fruition.

Jonathan Simkhai's NFT collection. Source: Everyrealm

For example, Everyrealm — a group of active investors and developers for metaverse ecosystems — hosted its Metaverse Fashion Week on February 14, 2022, coinciding with New York Fashion Week 2022. Everyrealm’s metaverse fashion show was produced by Blueberry entertainment, a digital wearables brand, and took place in the Second Life Metaverse, a virtual world that launched in 2003. The fashion show featured designs from Jonathan Simkhai, a high-end women‘s fashion designer and New York Fashion Week staple.

Julia Schwartz, co-founder of Everyrealm, told Cointelegraph that the company’s goal was to illustrate that digital fashion has a place in the broader business by giving digital wearables a runway in the Metaverse. Schwartz added that the event coincided with New York Fashion Week to allow people to experience fashion in a new and immersive realm that was also unconstrained by COVID-19 restrictions. “When we opened Metaverse Fashion Week to the public in the Second Life, we had over 40,000 attendees,” said Schwartz. She elaborated that Everyrealm collaborated with Jonathan Simkhai to create ten Fall/Winter 2022 styles for the Metaverse:

“For the first time ever, digital NFT wearables made their debut in the Metaverse before their physical counterparts, demonstrating a dramatic shift in the way people consume and experience fashion and culture.”

While innovative, it’s important to point out here that Everyrealm’s fashion show consisted of wearable fashion NFTs and not just digital fashion designs. While digital fashion can be superimposed on photos to be worn in social media posts, or on 3D avatars, Schwartz remarked that the Metaverse creates opportunities for people to not only participate in culture but to own a piece of it through the purchase of nonfungible tokens. Echoing Schwartz, Justin Banon, co-founder of Boson Protocol — a platform that enables brands to sell physical items in the Metaverse — told Cointelegraph that incorporating NFTs into digital wearables gives individuals strong property rights, as they own an asset that is permanent. “It becomes a piece of fashion history or an heirloom that could be passed down through generations. These property rights are driving the value of NFTs as people value truly owning an asset.”

Jonathan Simkhai white pants suit. Source: Everyrealm

That being said, Schwartz explained that six of Jonathan Simkhai’s designs were developed into NFTs for Everyrealm’s fashion show, noting that one was a one-on-one piece that sold for approximately $3,000 dollars. “The owner of the 1/1 NFT will receive a physical piece from Jonathan Simkhai‘s Fall/Winter 2022 collection,” said Schwartz.

NFTs take fashion to new heights

While Everyrealm’s metaverse fashion show coincided with New York Fashion Week, another NFT fashion collection was launched during Paris Fashion Week this year. Terrence Zhou, a New York-based designer whose pieces have been featured on magazine covers including Vogue, Elle and Marie Claire, told Cointelegraph that he launched his first NFT collection on March 3, 2022, via the digital fashion marketplace The Dematerialised. Known as INFINITE, Zhou describes his NFT collection as a fashion experience built for the consciousness rather than for the body:

“This collection reimagines and elevates the potential of wearable art in the virtual world. When people see fashion, they often think it’s a commodity, but I see fashion as art. This is why I find it empowering to create NFTs, so people can collect and own these as art but can also wear them virtually or in real life. This is a gamechanger.”

According to Zhou, there are six NFTs in his INFINITE collection, three of which were launched during Paris Fashion Week. He explained that the unique NFTs represent an extension of his physical designs yet complement areas that cannot be achieved in real life. “All of the fantasies I have about fashion can’t be realized in the physical world, but these fashion pieces come to life and can tell stories in the digital world. It becomes much more poetic.”

Terrence Zhou's "λ-02" NFT, inspired by the little mermaid. Source: Terrence Zhou

For instance, Zhou shared that the INFINITE collection narrates the transformative experience about the idea of love and intimate relationships, inviting people to a diorama of emotions rendered by such an exceptional human interaction. Zhou elaborated:

“Inspired by The Little Mermaid and the Greek mythology of sirens, three NFTs explore sexual fantasies in an illogical way by fusing anthropomorphic structures with absurd representations such as bulbous forms and fishtails. The balloon shape with a beating heart unifies the collection, accompanied by two distinct mermaid tails representing both unrequited love and bodily sacrifice.”

In addition to expanding upon creative possibilities, fashion NFTs also allow designers to connect more deeply with consumers. Zhou explained that NFTs are empowering from a designer’s perspective because it allows him to interact directly with his audience. Jonathan Simkhai, the debut designer for Everyrealm’s Fashion Week, further told Cointelegraph that an NFT collection is an exciting way to engage with a wider audience:

“The future of fashion exists in the Metaverse alongside in real-life garments and activations. To me, it‘s more about accessibility and community building. Activating in the Metaverse allows us to reach a customer who maybe isn‘t familiar with the brand but allows them to create a digital identity using the clothes.“

To Simkhai’s point, Schwartz mentioned that an attendee at Everyrealm’s Metaverse Fashion Week commented that she would want to virtually wear one of the white NFT pants suits featured since she would “never be able to pull them off in real life.” Schwartz explained, “These platforms allow us the space to explore, escape and exist without fear of judgment, stigma or societal pressures.”

NFTs will continue to hit the catwalk this year

Given the success currently seen around NFT fashion, it’s likely that digital designs will continue to make their debut in the Metaverse. This notion is being reinforced by the Decentraland metaverse platform, which recently announced that it would be hosting one of the biggest digital fashion week events that will take place during March 24-27, 2022.

Gigi Graziosi Casimiro, head of Decentraland’s Metaverse Fashion Week, told Cointelegraph that Decentraland will host four days of runway shows, fashion experiences, pop-up shops and afterparties, featuring some of the most renowned names in the global fashion world. For example, Casimiro mentioned that the London retailer, Selfridges, will kick off Metaverse Fashion Week on March 23 with the inauguration of its flagship metaverse store.

Terrence Zhou's NFT "Ω" was inspired by the embryonic stage of love. Source: Terrence Zhou

The event will also feature a futuristic runway hosting daily shows by iconic fashion houses such as Dolce & Gabbana, Dundas and Etro. Other purely digital fashion brands like The Fabricant and new designers will also make their digital wearables debut. “Fashion is its own economy. We are hosting Metaverse Fashion Week to connect community creators with the fashion industry in one place. The mission is to connect physical with digital fashion. Therefore, we are bringing big brands in alongside new creators,” explained Casimiro.

Moreover, Casimiro mentioned that Metaverse Fashion Week will consist of a mixture of NFTs and digital fashion, noting that some designs will be connected to NFT marketplaces. Casimiro believes that Decentraland’s Fashion Week will likely attract both Web3 and traditional fashion audiences: “Brands want to better understand how to reach traditional audiences and attract new customers by accessing the Metaverse. We expect to see a lot of newbies enter Decentraland for this event.”

Reimagining the future of fashion with NFTs

Although it’s becoming clear that NFTs are the future of fashion, it’s also important to point out that this sector still requires both technical and mental development.

For fashion brands entering the Metaverse, Casimiro explained that the primary challenge is getting them to understand the infinite possibilities and scale of virtual environments. “Brands are coming in and thinking they can do the same in the Metaverse as traditional catwalks, but brands can be much more creative. The creation process is becoming more collaborative.”

In terms of traditional fashion designers entering Web3, it can be challenging to initially transform real-world garments into digital designs but Simkhai shared that it was an interesting process to learn about. “As a designer, I spend so much time working with garments and fabrics in the real world. For this project, a ton of time was spent in ‘virtual fittings’ to ensure the garments maintained the coherence of the clothing in real life.” This aspect also remains a concern for curators, as Menon explained that UNXD’s role is to capture the designer’s spirit and extend it into the Metaverse in the most meaningful way. “For luxury brands, in particular, there‘s just a lot of detail involved in getting that right, and we work very closely with the designers to do so. It‘s a very high-touch approach, but one that luxury requires.”

Futuristic catwalk at Metaverse Fashion Week. Source: Decentraland

Finally, technical challenges also remain to ensure that high-end digital wearables are appropriately displayed in metaverse environments. For example, Banon mentioned that one of the biggest challenges facing digital fashion today is the quality of resolution within certain virtual worlds. “Many don’t have the resolution to render fashion items as well as would be desired. However, as we‘ve seen in all other aspects of information technology, when it comes to quality, everything gets better over time.”

Indeed, as the future of fashion unfolds, improvements will certainly follow. Megan Kaspar, managing director at Magnetic Capital and member of Red DAO — a fashion-focused decentralized autonomous organization — told Cointelegraph that the need for industry standards and interoperability within all metaverse environments is now required to ensure a better quality of products. Fortunately, this challenge is being worked on.

For example, Marjorie Hernandez, founder of LUKSO — a blockchain infrastructure providing standards for physical and digital goods — told Cointelegraph that the platform is planning to merge both the physical and digital world by creating a seamless and interoperable ecosystem with blockchain technology:

“Both digital and physical garments can be authenticated on-chain as NFTs allowing for proof of ownership, proof of authenticity and multiverse interoperability and utility. With our new standards and NFT 2.0, digital fashion garments could even be upgraded based on seasons, trends, between owners or to mark special moments in a brand‘s history.”

Given this, Hernandez, along with other industry participants, believes that the future of fashion lies within NFTs that are interoperable and dematerialized. “With digitization, creative opportunities for the fashion industry and even emerging designers are limitless,” she said. Schwartz added that “as brands look for new ways to engage with customers, the Metaverse will provide opportunities for experimentation in the form of digital/physical activations and merchandise.”

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Crypto community rallies with Ukraine as local NFT artists’ works sell out

In an act of solidarity, crypto enthusiasts from all over the world are helping the people of Ukraine press through difficult times.

It appears that crypto enthusiasts worldwide are rallying in support of Ukraine to resist an ongoing full-scale Russian invasion. 

According to reports, Bitcoin (BTC) donations to Come Back Alive, a non-governmental organization helping Ukraine's military efforts, received $3 million in BTC in a single donation on Friday. Users also took to social media to ask the country's Ministry of Defense to accept crypto donations, such as Tether (USDT). At the same time, the founder of Ukraine's Kuna exchange created a crypto fund to assist charities in the country. 

On Friday, the outpouring of support gained further traction. Nonfungible token (NFT) artist "pan_danil" began organizing a campaign to direct donations, launch NFT auctions and pledge a percentage of project sales to NFT artists in Ukraine. At the time of publication, a group of volunteers had formed to curate a community list of Ukrainian NFT artists and links to their artwork on NFT platforms such as Rarible, Foundation and OpenSea.

Related: Ukraine Bitcoin exchange volume spikes 200% as Russia war sparks currency concerns

Meanwhile, other Ukrainian artists, such as "voplividchau," have reported their NFT drops selling out due to community support. But despite the successful sale, she wrote

It's very scary in Kiev [Kyiv] now; it was scary at night, and what will happen next is so scary. I admire how brave people are here.

NFT platform Orica, which launched an NFT campaign to help build a school in Uganda last year and coordinated an NFT charity drop to help victims of human trafficking, voiced its support for Ukraine's NFT artists on Twitter. It also appears the platform is directly onboarding Ukrainian NFT artists for upcoming exhibitions. 

Related: Twitter users ask Ukrainian armed forces to start accepting crypto donations

Ukraine's Ministry of Defense claims that Russian troops have suffered approximately 800 losses in personnel since the beginning of the invasion on Thursday. In addition, the entity says Russia failed to achieve its military objectives on the first day of the attacks. At the time of publication, there is an ongoing battle between both sides in Kyiv. Ukraine's economy was only about a tenth of the size of Russia's before the fighting began, and has likely fallen further due to the invasion.

Solana Witnessing ‘Diminishing Momentum’ Compared to Bitcoin and Ethereum, According to Glassnode – Here’s Why

New ConsenSys Mesh NFT marketplace pays royalties to creators and collectors

ETHDenver conference attendees will get an exclusive presentation about the TreeTrunk marketplace introducing a new token standard.

As the ETHDenver developer conference gets underway, the incubator ConsenSys Mesh told Cointelegraph that it's planning a Friday announcement regarding a new addition to its portfolio.

Joseph Lubin, Ethereum co-founder, will debut details about TreeTrunk, a nonfungible token, or NFT, platform that aims to eliminate the risk of centralized platforms failing to pay royalty payments from secondary sales correctly or on time. TreeTrunk is launching a beta release on the Polygon Mumbai testnet.

According to the company, TreeTrunk has introduced a pioneering smart contract that collects and distributes royalty payments from the secondary sales of NFTs immediately and securely on the blockchain. Current NFT standards may not enforce instant collection or distribution of royalties on a chain to the creator, and less so to both creators and distributors.

Cointelegraph spoke to John Wolpert, co-founder of TreeTrunk and head of R&D at ConsenSys Mesh, to learn more about this new contribution to the Ethereum ecosystem.

"Supplying an important new ERC to the community as a standard and open-source reference implementation is serving the long term vision of expanding what NFTs can do on the blockchain."

Part of that vision to onboarding newcomers into the blockchain space also includes building long-term financial empowerment for artists and creators where "perpetual distribution and royalty networks move their work and expand their paying audience," added Wolpert. 

He points out that NFT artists, just like traditional artists, may need to reach a certain level of popularity to see a sustainable profit. For this reason, TreeTrunk smart contracts distribute royalty payments to collectors who make and sell authorized digital prints. This approach, according to Wolpert, offers influencers the opportunity to construct an "NFT family tree" of first- or second-generation NFT and syndicate prints holders who can buy into a "community of inclusion" that generates passive income.

Related: LooksRare team cashes out $30M in WETH, faces community backlash

The technique that TreeTrunk uses to create and exchange authorized copies that can prove their relationship to an original NFT is called crypto-lithography. Similar to the lithographic printing process, zero-knowledge cryptography technology "shields the original NFT while letting people see, enjoy and sell unique, verifiable prints," said Wolpert.

On the ETHDenver stage, conference goers can expect a group of NFT artists to herald the launch of the TreeTrunk marketplace. Each of them submitted one special artwork to the platform for early collectors to begin testing before opening up to more artists. 

Ira P. Rothken, attorney and TreeTrunk co-founder, also emphasized that it was important to the company to improve on the way NFTs handle legal rights and artists control their intellectual property.  

"It’s no longer a game of guessing what the license agreement terms are, especially on secondary market transactions. Unlike the previous NFT standard, with TreeTrunk the license agreement is embedded in the NFT metadata itself."

Related: ConsenSys acquires MyCrypto to 'improve the security' of its products

ConsenSys Mesh acts as both an accelerator and incubator under the ConsenSys ecosystem that invests in Web3 projects. Its portfolio of companies includes MetaMask, Infura, Gitcoin and Decrypt.

Solana Witnessing ‘Diminishing Momentum’ Compared to Bitcoin and Ethereum, According to Glassnode – Here’s Why