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What is fair use? US Supreme Court weighs in on AI’s copyright dilemma

Many firms with generative AI models are being sued for copyright infringement, and the Supreme Court may have just ruined their primary legal defense.

Generative artificial intelligence models such as OpenAI’s ChatGPT are trained by being fed giant amounts of data, but what happens when this data is copyrighted?

Well, the defendants in a variety of lawsuits currently making their way through the courts claim that the process infringes upon their copyright protections.

For example, on Feb. 3, stock photo provider Getty Images sued artificial intelligence firm Stability AI, alleging that it copied over 12 million photos from its collections as part of an effort to build a competing business. It notes in the filing:

“On the back of intellectual property owned by Getty Images and other copyright holders, Stability AI has created an image-generating model called Stable Diffusion that uses artificial intelligence to deliver computer-synthesized images in response to text prompts.”

While the European Commission and other regions are scrambling to develop regulations to keep up with the rapid development of AI, the question of whether training AI models using copyrighted works classifies as an infringement may be decided in court cases such as this one.

The question is a hot topic, and in a May 16 Senate Judiciary Committee hearing, United States Senator Marsha Blackburn grilled OpenAI CEO Sam Altman about the issue.

While Altman noted that “creators deserve control over how their creations are used,” he refrained from committing not to train ChatGPT to use copyrighted works without consent, instead suggesting that his firm was working with creators to ensure they are compensated in some way.

AI companies argue “transformative use”

AI companies generally argue that their models do not infringe on copyright laws because they transform the original work, therefore qualifying as fair use — at least under U.S. laws.

“Fair use” is a doctrine in the U.S. that allows for limited use of copyrighted data without the need to acquire permission from the copyright holder.

Some of the key factors considered when determining whether the use of copyrighted material classifies as fair use include the purpose of the use — particularly, whether it’s being used for commercial gain — and whether it threatens the livelihood of the original creator by competing with their works.

The Supreme Court’s Warhol opinion

On May 18, the Supreme Court of the United States, considering these factors, issued an opinion that may play a significant role in the future of generative AI.

The ruling in Andy Warhol Foundation for the Visual Arts v. Goldsmith found that famous artist Andy Warhol’s 1984 work “Orange Prince” infringed on the rights of rock photographer Lynn Goldsmith, as the work was intended to be used commercially and, therefore, could not be covered by the fair use exemption.

While the ruling doesn’t change copyright law, it does clarify how transformative use is defined. 

Mitch Glazier, chairman and CEO of the Recording Industry Association of America — a music advocacy organization — was thankful for the decision, noting that “claims of ‘transformative use’ cannot undermine the basic rights given to all creators under the Copyright Act.”

Given that many AI companies are selling access to their AI models after training them using creators’ works, the argument that they are transforming the original works and therefore qualify for the fair use exemption may have been rendered ineffective by the decision.

It is worth noting that there is no clear consensus, however.

In a May 23 article, Jon Baumgarten — a former general counsel at the U.S. Copyright Office who participated in the formation of the Copyright Act — said the case highlights that the question of fair use depends on many factors and argued that the current general counsel’s blanket assertion that generative AI is fair use “is over-generalized, oversimplified and unduly conclusory.”

A safer path?

The legal question marks surrounding generative AI models trained using copyrighted works have prompted some firms to heavily restrict the data going into their models.

For example, on May 23, software firm Adobe announced the launch of a generative AI model called Generative Fill, which allows Photoshop users to “create extraordinary imagery from a simple text prompt.”

An example of Generative Fill’s capabilities. Source: Adobe

While the product is similar to Stability AI’s Stable Diffusion, the AI model powering Generative Fill is trained using only stock photos from its own database, which — according to Adobe — helps ensure it “won’t generate content based on other people’s work, brands, or intellectual property.”

Related: Microsoft urges lawmakers, companies to ‘step up’ with AI guardrails

This may be the safer path from a legal perspective, but AI models are only as good as the data fed into them, so ChatGPT and other popular AI tools would not be as accurate or useful as they are today if they had not scraped vast amounts of data from the web.

So, while creators might be emboldened by the recent Warhol decision — and there is no question that their works should be protected by copyright law — it is worth considering what its broader effect might be.

If generative AI models can only be trained using copyright-free data, what kind of effect will that have on innovation and productivity growth?

After all, productivity growth is considered by many to be the single most significant contributor to raising the standard of living for a country’s citizens, as highlighted in a famous quote from prominent economist Paul Krugman in his 1994 book The Age of Diminished Expectations:

“Productivity isn't everything, but in the long run it is almost everything. A country’s ability to improve its standard of living over time depends almost entirely on its ability to raise its output per worker.”

Magazine: Crypto City: Guide to Osaka, Japan’s second-biggest city

SEC, Ripple case nears conclusion, Grayscale withdraws ETF filing, and more: Hodler’s Digest, May 5-11

Binance NFT Marketplace Launches With Artwork From Dali, Warhol and ‘100 Creators’

Binance NFT Marketplace Launches With Artwork From Dali, Warhol and ‘100 Creators’Cryptocurrency exchange Binance launched its NFT marketplace on Thursday. The platform allows users, including artists, creators, and crypto enthusiasts, to mint and trade non-fungible tokens (NFTs). It employs Binance’s blockchain infrastructure and features various forms of digital artwork and collectibles. NFT Collection Brings Together Celebrated Artists in a ‘Genesis’ Auction The long-awaited Binance NFT Marketplace […]

SEC, Ripple case nears conclusion, Grayscale withdraws ETF filing, and more: Hodler’s Digest, May 5-11

Nifty News: Instagram’s NFT platform? Warhol’s Amiga art, Beeple’s holograms … and more

NFT artist claimed Instagram is building an NFT platform, while Beeple is working to create fully holographic NFTs

Digital artist Sean Williams claims that Mark Zuckerberg’s Instagram is working to create its own NFT marketplace.

Williams tweeted to his 12,000 followers on May 18 that Instagram had invited him and other artists to speak on an NFT focused panel, and to provide feedback on how the company can “build a better platform for creators.”

However, the approach hasn’t gone down well with Williams, who feels that Instagram wants to leverage NFT artists' insights to provide market research for the development of an NFT platform of its own.

The NFT panel is part of a three-day event named “Creator Week,” which is touted as an opportunity to help creators “build their community” and grow their business.

Williams claimed the company offered him $1000 to sit down with the development team and give his insights but made a non-disclosure agreement part of the deal.

“An honorarium of $1000 while we sit in a room with upper-level management and the dev team to build product??? Weird. Sounds like a platform that’s behind, and looking to use the leverage they’d had over the last ten years to pretend like they care.”

Williams sold an NFT named “Haunted by a Taste of Freedom” last month for 10 ETH on SuperRare, worth around $24,530 at today’s prices.

Beeple’s holographic NFTs

Mike Winkelmann, better known as Beeple, has partnered with rendering software providers RNDR, and its parent company OTOY to create holographic NFTs.

Beeple has joined the advisory boards of both firms to offer his expertise as an artist and long-time user of OTOY’s OctaneRender software.

RNDR is a blockchain-based rendering platform that utilizes GPU power from a distributed network to render graphics. Beeple will help the platform create a new form of holographic NFTs, along with minting his entire catalog on RNDR’s network. The announcement on OTOY’s website notes that:

“The collaboration will focus on developing the first blockchain NFTs (non-fungible tokens) that are fully immersive on holographic displays and mobile AR, and are validated using deep forms of authentication on the RNR blockchain network.”

OTOY will also be leveraging another partnership with Light Field Labs to create the “world’s first glasses-free holographic display panel,” to showcase the upcoming holographic NFTs from Beeple.

Beeple recently told Variety that NFTs weren’t a passing fad:

“It’s actually very simple and can be applied to so many different things. It’s proving ownership of something. It’s hard for me to imagine this kind of all evaporating away. People have too much of an emotional connection to this stuff.”

Andy Warhol NFTs from the 1980’s

Art auction house Christie's announced the launch of an NFT auction named “Andy Warhol: Machine Made” yesterday.

The auction contains five tokenized artworks recovered from floppy disks in 2014 which stored artwork that was created by Andy Warhol in the mid-1980s.

The five artworks have each been minted by Christie’s as one-of-one NFTs, with all sale proceeds going to the non-profit “The Andy Warhol Foundation for Visual Arts.”

The NFTs depict artwork created on Warhol’s Commodore Amiga computer from the ’80s, and the collection includes two self-portraits, a banana on a blue background, and his famous flower and Campell’s soup can motifs.

The auction is running from May 19 to May 27 on Christie’s website, and the minimum starting bids for each piece is $10,000.

Webster’s definition of an NFT sells as an NFT

Dictionary maker Merriam-Webster tokenized a photo of its definition of an NFT and sold it on OpenSea for 15 ETH worth around $37,000 last week.

The one-of-one NFT depicts a GIF of a dictionary that opens up to a page displaying its NFT definition.

The one-of-one dubbed “The Definition of NFT '' was auctioned off for a good cause, with the net proceeds going to the non-profit organization “Teach for All” — which offers education and outreach services to disadvantaged communities across the globe.

SEC, Ripple case nears conclusion, Grayscale withdraws ETF filing, and more: Hodler’s Digest, May 5-11