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NFT adoption: Tokens take the runway at Metaverse Fashion Week

Metaverse Fashion Week demonstrated how brands and designers can further engage with consumers using NFTs.

The Metaverse may be an emerging concept, but the impact that virtual game-like worlds can have on the trillion-dollar retail industry was recently demonstrated during Metaverse Fashion Week (MVFW). This entirely virtual experience was held from March 24–27, 2022, in Decentraland, a decentralized virtual social platform on the Ethereum blockchain. The online event attracted more than 70 brands, artists and designers including big names like Tommy Hilfiger, Estée Lauder, Philipp Plein, Selfridges and Dolce & Gabbana.

Gigi Graziosi Casimiro, head of Decentraland’s Metaverse Fashion Week, told Cointelegraph that MVFW is a diverse event aiming to connect physical and digital fashion with traditional brands and new creators:

“MVFW is important because it connects many parts of a bigger engine in the fashion industry. This event allows brands to explore new possibilities for their creation and communication with customers. We are essentially building a stronger fashion community in Decentraland that allows people to express art beyond physical limitations.”

Bridging the physical and the digital 

Indeed, MVFW provided a glimpse into what the future of fashion may look like, as brands and designers displayed wearable nonfungible tokens (NFTs) on 3D genderless avatars that strutted across fantasy-like catwalks. While the concept may sound entirely unrealistic — which is the intent — renowned fashion designers praised MVFW as one of the most exciting and opportunistic ways for brands to further engage with consumers.

Avery Baker, president and chief brand officer of Tommy Hilfiger Global, told Cointelegraph that the Tommy Hilfiger brand has been curious about new trends and technologies, especially those that allow the label to connect with consumers in unique ways:

“Consumers’ appetite for digital experiences has never been stronger and as we integrate the digital and physical worlds, the Metaverse offers endless opportunities for creativity, collaboration, storytelling and community building. Whether it’s NFTs, avatar fashion shows or something else we haven’t explored yet, I’m excited to see what’s to come.”
Tommy Hilfiger store at MVFW. Source: Boson Protocol

Echoing Baker, American fashion designer Tommy Hilfiger mentioned during a fireside chat that the Metaverse is the future of fashion that took place at MVFW. Hilfiger was alongside Justin Banon, co-founder of Boson Protocol — a Web3 protocol building a settlement layer for commerce in the Metaverse — and Cathy Hackl, chair of MVFW. At the beginning of the discussion, Hilfiger stated:

“It’s part of our DNA to embrace what’s next, and I really believe the Metaverse is next and will lead us to more creativity, more experiences and more opportunity to build a community of fans worldwide.”
Fireside chat with Tommy Hilfiger, Boson Protocol and chair of MVFW. Source: Boson Protocol

German fashion designer Philipp Plein also participated in MVFW, displaying his latest digital-only NFT collection in the newly acquired $1.4 million Plein Plaza, a 176,528 square-foot plot of land in the Decentraland metaverse.

3D avatar wearing a Philipp Plein NFT at MVFW. Source: Philipp Plein

Plein told Cointelegraph that he chose to be a part of MVFW for a few reasons, one being that the first event he hosted in Decentraland was very successful. “We had our first event in Decentraland in February this year, which featured a real humanoid robot representing our voice in the Metaverse. We attracted over 3,000 attendees and sold 11 sneakers within an hour via an auction powered by NFT auction house Portion,” he said. Plein added that the average time attendees spent at his initial metaverse event was 40 minutes, which is much longer than the amount of time consumers typically spend looking at websites.

Shedding light on this, Banon told Cointelegraph that brands can better engage with consumers in the Metaverse since virtual environments blur the boundaries between physical and digital worlds. “What we are seeing is physical and digital items becoming “digiphysical” — digital tied to physical — or physical items that have an experience component as well,” he said. In terms of how this will play out, Banon elaborated that Boson Protocol enables digital and physical elements to be represented by an NFT that can be gamified, tradable and programmable, making the Metaverse a game-like world for commerce. “This is all merging into physical and digital experimental commerce,” he said.

To put this in perspective, Banon said during the fireside chat that in the future, there could be a window display at a flagship Tommy Hilfiger store featuring a digital jacket that can’t be purchased in-store. In order to buy this item, Banon noted that consumers would have to scan a QR-code that would then take them to a metaverse environment, like Decentraland, where a game or quest would have to be played in order to earn an NFT. This NFT would then potentially unlock three components: a digital wearable to wear in the Metaverse, a redeemable physical NFT that can be claimed from a store or website or an experimental NFT that will give consumers access to a Tommy Hilfiger fashion show or event in the future. “That physical to the digital experience for retailers is what the Metaverse and Boson Protocol enables,” explained Banon.

Although only a few major brands have been dabbling in physical to digital designs, Hilfiger commented during the fireside chat that he wants to be a step ahead of the competition. He said:

“The Metaverse allows us to evolve the retail journey we are on. We are always looking for ways to make retail exciting because we know it can get boring doing what we’ve been doing in years past, which is just selling physical products. If we are living in the Metaverse, it allows the community to create digital skins, buy, sell, trade them or put them on avatars to play games with and then reap the rewards.” 
Tommy Hilfiger store at MVFW. Source: Boson Protcol

In addition to digital wearables displayed on 3D avatars, MVFW featured pop-up shops from retailers selling NFT accessories tied to physical items. For example, Privé Porter, a global leader in luxury collectible accessories, planted its luxury resale pop-up shop in Decentraland’s Threedium Plaza. During the four-day event, Privé Porter featured four 3D NFT Hermès bags exceeding $500,000 in value.

Hermès 25cm Birkin In and Out Biscuit/Multicolor Swift Leather Palladium Hardware (Z/2021) will be selling for 19.32 ETH ($58,000) during Privé Porter's MVFW Pop-Up. Source: Privé Porter

Jeffrey Berk, co-founder of Privé Porter, told Cointelegraph that the company has never dabbled in e-commerce before, noting that Privé Porter has exceeded over $130 million in revenue to date, largely off of its Instagram account. Berk noted that there is also a physical Privé Porter located in Miami’s Brickell City Center. According to Berk, Privé Porter plans to become involved with e-commerce to reach other platforms and expand, which is why the reseller featured 3D NFT Hermès Birkin and Kelly handbags during MVFW. “We are offering a more engaging experience than anyone else selling a Birkin today,” said Berk.

Berk elaborated that consumers who visit the Privé Porter pop-up are able to interact with the items by clicking on the 3D handbags. Boson Protocol’s technology then creates a pop-up interface with pictures, descriptions and other data specific to the item. If a consumer wishes to buy a bag, they will be asked to confirm a blockchain transaction that results in Boson Protocol’s smart contracts taking custody of the payment and the issuance of an NFT Voucher, redeemable for the physical good. 

“The buyer may then decide to transfer, trade or redeem the NFT Voucher for the physical item,” explained Berk. He added that if a customer decides to redeem the voucher, Privé Porter will deliver the item and issue the customer a Privé “A-NFT,” which is an authenticated nonfungible token where the amount of the sale is forever documented on the blockchain. Although MVFW ended on March 27, Berk said that the Privé Porter pop-up saw enough traffic that Threedium — the company’s 3D technology partner — asked Privé Porter to extend its presence in Decentraland through the end of April 2022.

Privé Porter Hermes handbag seen on OpenSea. Source: Privé Porter

In addition to Privé Porter, the privately-held jeweler and wristwatch retailer Jacob & Co. hosted a showroom at MVFW in the UNXD Luxury District to display its new “Astronomia Metaverso” collection. Shashi Menon, Dubai-based publisher of Vogue Arabia and founder and CEO of UNXD, told Cointelegraph that he views this collection as a catalyst to how luxury fashion accessories will look in the future. “Jacob & Co. will do the same for watches and jewelry as Dolce & Gabbana did by becoming the first luxury label to display their designs in the Metaverse,” said Menon.

MVFW gives a glimpse of the future of retail, but will it catch on?

While the Metaverse enables a greater opportunity for brands and designers to reach consumers, some may wonder if this game-like concept will resonate with the mainstream, especially older generations. For instance, Hilfiger mentioned during his panel that the Metaverse is unlocking the future of fashion, specifically because we are living within a culture defined by Generation Z. “We have to speak their language, and this is the language they speak,” commented Hilfiger.

Although this concept may resonate with younger individuals, the technical aspects associated with the Metaverse may be challenging for some. For example, some users expressed technical difficulties during MVFW, noting that computers couldn’t handle Decentraland’s requirements.

Regarding technical complications, Casimiro explained that Decentraland is optimized to run as smoothly as possible across the board, but “older systems, out-of-date software, etc., occasionally may see unforeseen issues.” 

Moreover, the graphics in Decentraland may also require improvement once marketing in the Metaverse gains traction with more brands. Jason Rosenstein, CEO of Portion — an NFT marketplace built on Ethereum — told Cointelegraph that there are limitations in Decentraland due to low resolution and texture. “We have to put this on the blockchain, so it’s super-low resolution, which is a huge constraint for brands. But, this is a problem for every metaverse ecosystem today,” he said.

Concerns aside, MVFW seems to have convinced many that the future of retail does indeed exist in the Metaverse. According to Banon, Boson Protocol is already working with many brands on creating a metaverse strategy:

“In the next 12-18 months, brands will experiment and do pilots in the Metaverse. Some may fail, but in the next two years brands won’t get a pass. If you are a marketing or innovation director of a brand and don’t have a metaverse strategy in place, you probably won’t have a job moving forward.”

While it’s difficult to predict the future, it’s worth mentioning that crypto investment giant Grayscale recently found the Metaverse to be a trillion-dollar revenue opportunity across advertising, social commerce, digital events, hardware and developer/creator monetization. Moreover, designers who have already started exploring the Metaverse are currently shaping the ecosystem for others. For example, Hilfiger remarked during his panel that moving forward, it will be up to the Hilfiger community and consumers to determine what products they want to shop for:

“I think that in five years time, we are going to see digital and virtual stores that will change rapidly and not remain the same. We want to create stickiness. We want our community to come to Tommy Hilfiger and stay there as part of their lifestyle, so they are going to tell us what they want and need.”

Plein added that he currently has 100 stores worldwide, but he will soon be opening a pop-up shop in London where customers will also be able to purchase NFTs upon check out as wearables for avatars in the Metaverse. “This is an upsell that will be available to our clients, which will also help bring the mainstream in,” he said. Banon added, “in a year or so, it will be unusual for brands not to offer digital wearables.” 

‘Asia’s MicroStrategy’ Metaplanet buys another ¥400 million worth of Bitcoin

SXSW 2022 showcased immersive NFT experiences, lacking crypto and Bitcoin sessions

SXSW 2022 was overrun with NFTs and all things Web3 but had little focus on the cryptocurrency and Bitcoin ecosystem.

South by Southwest — commonly referred to as “South By” or “SXSW” — has returned to Austin, Texas this year to showcase the latest trends in interactive media, music, art, film and technology. While SXSW runs through March 20, 2022, the entertainment and technology festival kicked off its first weekend with a large focus on Web3 and nonfungible tokens (NFTs).

NFT activations and panels

SXSW’s attendees’ interest in NFTs and the future of the internet was particularly evident at the venue hosted by Blockchain Creative Labs (BCL) — a business and creative unit formed by FOX Entertainment in 2021. On March 11, the first day of SXSW, a line consisting of hundreds of people wrapped around the streets of Fifth and Trinity in downtown Austin as SXSW badge holders anxiously awaited entrance to BCL’s interactive NFT venue that also showcased Web3-focused panels.

BLOCKCHAIN CREATIVE LABS AT SXSW: Atmosphere behind the scenes at the Blockchain Creative Labs House in downtown Austin, TX. © 2022 FOX Media LLC. Cr: Matt Lief Anderson for BCL

BCL CEO Scott Greenberg told Cointelegraph that the company was the exclusive blockchain sponsor of SXSW this year:

“SXSW is a place for independent musicians, filmmakers and content creators to come together to find a way to foster business entertainment innovation. Given this, Blockchain Creative Labs felt that SXSW was the perfect place to come and tell a story while serving as a center for activation.”

Indeed, BCL’s event space appeared to be one of the most widely attended SXSW spots, especially for those interested in nonfungible tokens. The venue, which was open through Sunday, March 13, included a gallery of NFTs created by leading content creators, exclusive NFT drops of music from official SXSW artists, NFTs from feature films premiering during the festival, along with a number of thought leadership sessions on Web3 development. “We had over 60 speakers and 40 panels on Web3, entertainment and how this provides new value to creators. SXSW 2022 was really about NFTs and the Metaverse, and our goal was to educate attendees. I think we achieved this,” said Greenberg.

Greenberg said that BCL’s SXSW activation space consisted of interactive rooms to provide attendees with hands-on educational experiences to learn about the decentralized internet, also known as “Web3.” For example, BCL allowed festival-goers to create proof-of-attendance-protocols (POAPs) to document their attendance at SXSW. BCL’s POAPs served as NFT badges given to attendees of both virtual and in-person events that took place during the first weekend of South By.

The venue also featured a “BCL_RecordBlocks” station, which enabled attendees to “listen and earn” music NFTs from over 30 musicians. “The concept here was to let attendees choose from over 100 songs to listen to. After listening, a QR-code would appear on the screen in front of them that could be scanned for a music NFT,” explained Greenberg. 

He said that the exhibit let attendees better understand how to obtain music NFTs while also enabling individuals to connect directly with the musicians featured. “In gaming, you have play-to-earn. This is listen-to-earn to show how we can connect artists and fans together using NFTs,” said Greenberg. Given that the Web3 space is still developing, BCL had staff members in white lab coats managing the exhibit to help onboard users to MetaMask, Coinbase or Rainbow wallets where they could then store their NFTs.

BLOCKCHAIN CREATIVE LABS AT SXSW: Atmosphere behind the scenes at the Blockchain Creative Labs House in downtown Austin, TX. © 2022 FOX Media LLC. Cr: Matt Lief Anderson for BCL

The BCL venue also featured an “SXSW x BCL NFT Ledger” room which showcased a visualization of all SXSW-related data being recorded in real-time. “This exhibit featured Polygon wallet addresses from people claiming our free NFTs like Record Blocks. Everything displayed comes from the BCL marketplace,” explained Greenberg. He said that data will be recorded during the entirety of SXSW and will then be minted into an NFT. Greenberg said:

“This serves as a time capsule of SXSW events. Data is updated on a regular basis to visually show how information is recorded on the Polygon blockchain. This is also an art exhibit, as we will mint this as a 1-on-1 NFT that we may eventually sell.”
BLOCKCHAIN CREATIVE LABS AT SXSW: Atmosphere behind the scenes at the Blockchain Creative Labs House in downtown Austin, TX. © 2022 FOX Media LLC. Cr: Matt Lief Anderson for BCL

NFTs main topic of discussion at “The AlgoRanch”

NFTs were also widely discussed at “The AlgoRanch,” a pop-up event hosted by Algorand, a blockchain network designed to solve security, scalability and decentralization issues. Algorand has also taken an interest in NFTs, specifically when it comes to ensuring sustainability since the network uses a Pure proof-of-stake (PoS) consensus protocol.

In order to demonstrate recent NFT innovation, Algorand featured a number of sessions during its SXSW pop-up focused on nonfungible token projects. For instance, Shrina Kurani — a Democrat running for Congress in California’s 41st District — appeared on a panel to shed insight on the launch of her NFT collection. Known as “Kurani for Congr3ss,” she explained that this is a collection of 230 NFTs designed to raise awareness for her campaign while highlighting climate-friendly solutions in the Web3 space.

In order to detail the importance of her NFT collection being carbon neutral, Kurani was on stage alongside Priya Samant, CEO of Abris — a sustainable NFT marketplace built on Alogrand that partnered with Kurani on this particular drop. “The main collection featured 230 NFTs that represent the 230 billion tons of carbon remain in the world‘s ‘carbon budget,’” explained Kurani.

Kurani further told Cointelegraph that she is the first-ever federal candidate to launch NFTs for a congressional campaign:

“We are leveraging NFTs as a way to support a campaign to make a real impact on the future. It’s important to be connected to both Web3 and the real world to bridge the gap between politics and crypto — NFTs are a way of doing this.”

Kurani added that NFTs allow congressional candidates to represent the American population, claiming that 3 out of 10 Americans under the age of 30 engage with cryptocurrency. “This is a way to get those individuals involved. We can also reach more people and educate the population on financial literacy. The main thesis of Web3 is about decentralization, consumer empowerment and ownership, which is why we are excited about NFTs,” she remarked.

In addition to Kurani’s NFT collection, the American Rapper Darryl McDaniels also known as “DMC,” announced the tokenization of his song Million Scars at Algorand’s SXSW pop-up event. For this launch, McDaniels used Stoi.org, a technology platform built on the Algorand blockchain that features a carbon-neutral footprint and low transaction costs. McDaniels told Cointelegraph that blockchain technology allows musicians to solve common problems in the music industry:

“Run DMC has always brought people together for the better. What I’m doing with Algorand will help us manifest solutions needed to put power back into the creator‘s hands. Everything in the music industry has been exploited and separated, and now we have solutions to make it inclusive for everyone involved.”

NFTs made a splash at Ripple

The Ripple House, hosted by fintech firm Ripple, also featured a variety of NFT projects to highlight the company’s new Creator Fund. Monica Long, general manager of RippleX — Ripple’s innovation arm — told Cointelegraph that the fund is a $250 million commitment to help creators with their NFT projects:

“While creators are starting to understand the benefits of NFTs, they typically don’t know how to go about developing these projects. They either lack funding or marketing and technical expertise, so we wanted to launch the Creator Fund to solve these three challenges. We’ve already had over 4,000 applications, most from independent creators looking to grow their audiences.”

According to Long, Ripple’s Creator Fund examines a variety of NFT use cases, but the company plans to focus primarily on sustainability, real estate, music and entertainment moving forward. Long added that developers can currently experiment with NFT functionality on the XRP Ledger using NFT-Devnet, a beta environment for developers to use XLS-20d — the native NFT standard RippleX is proposing.

“We are working on a new standard to make the NFT minting, management and burning experience more natively built into the protocol. Other chains have NFTs programmed through smart contracts, so a lot of these capabilities are now built into the XLS-20d standard,” said Long. The executive added that Ripple anticipates the standard to go up for mainnet amendment voting in early April.

In the meantime, some were already demonstrating how the XRP Ledger could be used for NFTs. Kaj Leroy, co-founder and CEO of Xpunks — an NFT project built on the XRP Ledger — gave a glimpse into the project by creating custom JPG avatars for attendees. Leroy told Cointelegraph that Xpunks is currently waiting for the XLS-20d standard to be released before minting the actual Xpunk NFTs. “These are just JPGs now, but once XLS-20d launches we will make a big collage of all these JPGs, mint it, then send it to everyone who came to our booth at SXSW.” 

Ripple House at SXSW 2022. Source: Ripple

Stellar hosted an NFT artist challenge

Stellar also jumped on the opportunity to showcase NFT development during SXSW this year. The open-source decentralized protocol hosted a 48-hour NFT hackathon during the first weekend of South By, bringi newcomers and experienced developers together to build a project on the Stellar network that incorporates nonfungible tokens.

According to the prompt, artists were instructed to create NFT artwork that “embodies the metaverse.” Stellar then sent XLM funds to users’ Litemint wallet addresses to cover the minting fees. Participants had the opportunity to win $1,500 worth of XLM prizes for participating in the challenge.

Fluf World highlighted a “Metaverse Manifesto”

Another major topic of conversation during SXSW this year was Web3 and the rise of the Metaverse. Some of the most in-depth conversations regarding metaverse development took place at Fluf World’s Fluf Haus.

Alex Smeele, co-founder and CEO of Non-Fungible Labs and Metaverse environment Fluf World, told Cointelegraph that the company wanted to use SXSW as an opportunity to discuss plans for the launch of its “Metaverse Manifesto.”

Fluf World venue at SXSW 2022. SourceL Fluf World

While there are a number of different definitions for the Metaverse, Smeele explained that he believes it represents the future of the internet and how people will engage with it. As such, Smeele noted that the Metaverse requires standards that Web3 companies must address:

“The Metaverse Manifesto is a call to arms for industry leaders to address the wider issues we are facing. Everyone is charging headfirst into this space with big ideas, but there are still questions that need to be answered if we are going to drive things forward correctly. If we can bring the smartest people in the industry together to define these standards, it will save hassle moving forward.”

Smeele said that the sessions hosted at Fluf Haus focused on sustainability, inclusion, diversity and other topics shaping the Metaverse. “We had about seven ecosystem partners present to discuss these topics. Altered State Machine, Carbon Click, The Seekers, Silo team and a number of others came together to address important issues. Decentralization is about putting power back in the hands of individuals, but with great power comes great responsibility,” commented Smeele.

Alex Smeele, co-founder of Fluf World on a panel at Fluf Village during SXSW. Source: Fluf World 

Little attention for Bitcoin and crypto overall

Although it’s notable that NFTs and Web3 were major topics of discussion during SXSW 2022, cryptocurrency and Bitcoin (BTC) were largely left out of the conversation. Dan Held, growth lead at Kraken and a serial Bitcoin entrepreneur, highlighted this point in his recent recap of SXSW. In his post, Held noted:

“On Sunday morning at 10AM, I was the moderator of the ONLY Bitcoin panel at the conference called ‘Bitcoin DeFi’ where I chatted alongside Pomp, Alyse Kileen, and Tony Cai about the basics of Bitcoin, DeFi, and the intersection of the two. Pretty wild to think that we were the only Bitcoin talk!”

A few pop-up events during SXSW focused on the crypto ecosystem. The Grit Daily host featured a fireside chat on March 10 with Alex Mashinsky, CEO of Celsius Network. Tal Bentov, vice president of lending at Celsius told Cointelegraph that she believes there was a genuine interest in crypto at SXSW, which is why it was important for Celsius to be one of the few crypto companies that showed up. 

So, there were very few official SXSW panels related to cryptocurrency. One of the panels that did discuss crypto in-depth was entitled Financial Surveillance in a Cashless Society. Sheila Warren, head of data, blockchain and digital assets at the World Economic Forum, was one of the panelists for this session. 

Warren told Cointelegraph that the discussion focused on policy and how regulators think about central bank digital currencies versus cryptocurrency. “We didn’t necessarily conclude anything specific, but the more we go digital, the more opportunities there are for tracking and tracing. There are ways to mitigate the ability for private and public sectors to track what you are up to online, though,” said Warren.

She added that an impressive number of SXSW attendees were present for this panel, demonstrating how important this topic is for many people, along with those who work in policymaking. Warren further remarked that while she thinks NFTs are the gateway into crypto, she hopes that South By attendees realize that a lot more is happening within the crypto ecosystem aside from NFTs:

“There is a lot going on in the ecosystem and, now, the industry is getting taken seriously by many different people all over the world. I’m happy to see this activity and that people are realizing it can be a fun technology, but it’s also serious and life-changing. I hope next year at SXSW we get more opportunities for discussion within the crypto world as a whole.”

‘Asia’s MicroStrategy’ Metaplanet buys another ¥400 million worth of Bitcoin

Can DeFi and CeFi coexist? Three takeaways from experts panel

Education, transparency and access were the key themes discussed by experts from across the crypto industry during a debate on whether CeFi and DeFi can coexist.

As price action bewilders market makers and traders, experts in the crypto industry reached an agreement on several important points last week. Notably, centralized finance (CeFi) and decentralized finance (DeFi), can coexist, and a “blend” of financial products and services will be available to users in the future. 

On Jan. 21, Cointelegraph moderated the panel discussion, “Can CeFi and DeFi Coexist?” for the Global Blockchain Business Council. In the video, panelists hash out questions related to adoption, banking the unbanked, and whether innovation means disruption of traditional financial services.

Salient points included the need for greater education and transparency in the cryptocurrency space, while financial inclusion could be reached thanks to smooth onboarding techniques and clear-cut regulation. Popular blockchains like Solana and the Bitcoin Lightning Network cropped up as well as DeFi protocols including Uniswap.

In terms of education, Mary Beth Buchanan, president, Americas and chief legal officer at crypto risk and intellegence fMerkle Science, commented:

“A lot of people are not being served in traditional finance. The winner in the disruption race will be the project that has the ability to reach those in the community who are not currently accessing DeFi, and there has to be education.”

Ambre Soubiran, CEO of digital asset data provider Kaiko, agreed that the solution to broadening DeFi’s reach is through “education, onboarding, and knowing the risks. People want the easy ability to reset a password as opposed to remembering 24 words.”

Daniel Peled, founder and president of public blockchain Orbs, is passionate about bringing financial inclusion to “the two billion people around the world,” but “the industry is early.” He echoed Soubiran’s point that “many people don’t have access to DeFi applications; the products are complicated and tech-heavy. People still don’t know how to secure their funds securely.”

However, for Peled, it is more than just educating people, it’s about providing a level-playing field on which everyone follows the same rules:

“There is huge quantitive easing and 70% of all the money in the world has been printed in the past two years. The young don’t hold existing scarce assets such as real estate, equity, or gold; and they are not accredited investors who can get in on opportunities at the early stage. They (the young) are the ones adopting DeFi because they see the opportunities compared to other alternatives.”

Ultimately, the creation of Bitcoin (BTC) sought to remedy such issues. As the first successful separation of money from the state, it possesses a clear issuance rate that renders the monetary network more transparent and equal for participants. 

Michael Moro, CEO of digital currency broker Genesis Global, shared Peled’s view on demographics: 

“The folks in the west are the most engaged into various DeFi protocols. The user interface and experience isn’t great as you have to be fairly tech savvy to be able to engage directly with Defi today. It generally needs to become a lot easier for folks to engage.”

Ultimately, the panel eventually agreed that a combination of education and onboarding will pave the way for greater financial inclusion.

Related: DeFi vs. CeFi: Comparing decentralized to centralized finance

Regulation is high on the agenda in 2022. But it should ignite more growth in the space, because “as long as the on ramps and off ramps are regulated, then there will be a lot more freedom,” Moro continued.”

Soubiran shared a similar view regarding onramps: “There is an opportunity for the existing institutions to leverage blockchain technology and the underlying infrastructure in order to provide the same services they are providing today.”

As for the future of the DeFi and CeFi space, Nicolas Bertrand, former head of derivatives markets and commodities at Borsa Italiana had the last word. When asked whether the level of innovation could disrupt traditional cefi services, he replied, “Definitely.” He went on to say, “what happened to the telegraph after the advent of computers?”

‘Asia’s MicroStrategy’ Metaplanet buys another ¥400 million worth of Bitcoin

Event recap Web Summit 2021: crypto, climate change and Facebook

The topics of digital assets, nonfungible tokens, and the metaverse were on full display — even in panels unrelated to the crypto industry.

Cointelegraph team members and leadership joined major media companies and tech figures this week at the three-day Web Summit 2021 in Lisbon.

The issues surrounding social media giant Facebook were the focus for many at the largest tech conference in the world. The company has been the subject of intense media scrutiny following the release of internal documents by whistleblower Frances Haugen, in addition to its decision to enter the metaverse with its rebrand to Meta.

Facebook investor Roger McNamee said he believed executives at the social media firm should face criminal charges due to their alleged role in pushing divisive and misleading content on the platform. Haugen echoed this point in her own speech, saying the company had been “putting lives in jeopardy” in cases such as posts concerning Ethiopia, where a civil war is currently building between Tigrayans and government forces.

"There should be more transparency, more research, more regulation," said Nick Clegg, vice president of global affairs and communications at Meta.

Digital assets, climate change, and the situation surrounding the pandemic were also under discussion in the tech industry. The conference opened with Lisbon Mayor Carlos Moedas saying his dream was to make the city “the capital of innovation in the world" and ended with Portugal President Marcelo Rebelo de Sousa issuing a call to action on economic inclusion, climate change, and the “digital revolution.”

Perhaps due to the crypto and blockchain space rising as an economic force in 2021, the topics of digital assets, nonfungible tokens, and the metaverse were on full display — even in panels unrelated to the industry. Major speakers including Nicholas Julia, co-founder and CEO of NFT gaming platform Sorare, venture capitalist Tim Draper, Yahoo Finance editor-in-chief Andrew Serwer, Celsius Network CEO Alex Mashinsky, and others in the crypto space were in attendance.

In a soon to be released interview with Cointelegraph, Mashinsky said the internet will eventually become another “app on the blockchain” as the space grows.

"Web 3.0 will move all the money in the world into digital finance,” said the Celsius CEO, adding his prediction of a $1 million Bitcoin (BTC) price by 2027.

Cointelegraph editor-in-chief Kristina Lucrezia Cornèr participated at Web Summit along with team members including Ting Peng, Vadim Krekotin, Giovanni Pigni, Anna Kalcheva, and Ana Dawson. Cornèr moderated four separate panels on impact investing, inclusive finance in the time of COVID-19, “how to build community in a fragmented world,” and the new era of commerce.

Related: Sorare CEO shares bold vision on NFTs during Web Summit 2021 opening night

Though many people still face challenges with international travel during the ongoing pandemic — Portugal requires proof of vaccination or testing prior to entry — 42,751 people attended the summit. According to the conference’s communications team, the event drew the highest-ever participation by women in its 10-year history: 50.5%, or more than 21,000 people.

‘Asia’s MicroStrategy’ Metaplanet buys another ¥400 million worth of Bitcoin

‘Bitcoin will go all the way to $160,000 this year,’ says Celsius CEO

The highs for Bitcoin are yet to be seen this year, says Alex Mashinsky.

Although the price of Bitcoin (BTC) continues to hover around $30,000, industry experts are noting that there is a bullish long-term view

To put this into perspective, Alex Mashinsky, chief executive officer and co-founder of Celsius – the centralized cryptocurrency lending platform – told Cointelegraph at Bitcoin 2021 in Miami that he sees Bitcoin reaching $160,000 this year, or possibly a bit lower. “We haven’t seen the highs yet for 2021,” Mashinsky said.

Mashinsky further remarked that the crypto market was bound for a correction, following Bitcoin’s recent all-time high of over $63,000:

“When you go too high, too fast, you are bound for a correction. You can see my tweets in both March and February saying ‘we’re going to have a crash, we’re going to have a correction.’ I predicted $30,000. Bitcoin is like a spring – we stretch it too much and we put too much leverage. Too many people got greedy.”

‘Elon Musk is manipulating the market’

In addition to discussing the price of Bitcoin, Mashinsky commented on Elon Musk’s recent tweets about Bitcoin. According to Mashinsky, Musk is not helping the crypto community, but rather manipulating the market. As such, he noted that Musk is simply a “tourist” in the land of crypto.

Mashinsky also noted that Tesla accepting Bitcoin payments will benefit Musk, but not consumers:

“If the richest guy in the world is willing to exchange a Bitcoin for a Tesla, you have to ask yourself, who is getting the good deal? The minute you buy that Tesla, it's worth less than what you paid for it, but Bitcoin is going to continue to increase in value. So that transaction is good for Elon, but it's not good for you.”

Celsius moves business operations to the U.S.

Roni Cohen Pavon, chief revenue officer at Celsius, further told Cointelegraph that Celsius will be moving its business operations from the United Kingdom to the United States in the coming months.

According to Cohen Pavon, the shift to the U.S. was promoted by the recent regulatory uncertainty in the U.K. for crypto companies. “We came to the conclusion that the U.K. is not the most stable place for Celsius in terms of regulations and geopolitical perspectives,” he said.

Although Celsius has had a physical office in the U.S. since 2019, Cohen Pavon explained that Celsius will now become a limited liability company, or LLC. “Nothing changes with our services – we are now an LLC instead of Celsius Network Limited. I believe the transition to engage as a U.S. entity will be completed by early or mid August.”

Watch the whole interview here!

‘Asia’s MicroStrategy’ Metaplanet buys another ¥400 million worth of Bitcoin

NFT art galleries: Future of digital artwork or another crypto fad?

Physical NFT art galleries are popping up all over, but why? And does the public appreciate them, regardless of their crypto knowledge?

As nonfungible token (NFT) art continues to develop as an industry, a new trend is quickly emerging: physical NFT galleries featuring digital, nonfungible pieces of unique artwork. Most recently, the largest Bitcoin (BTC) event in history — the Bitcoin 2021 conference — featured a peer-to-peer pop-up NFT art gallery with artwork from over 30 different crypto artists. 

Teodora Atanasova, VIP relations manager and founding team member of Nexo — the company that backed the Bitcoin Art Gallery — told Cointelegraph that over 100 pieces of art were sold during the two-day conference: "This demonstrates the impact physical NFT galleries can have on both the traditional art world and the crypto industry." She added: "We need to bring crypto to people's eyes and touch."

Popular crypto-friendly cities like Miami are not the only places where NFT art galleries are appearing. Earlier this month, an NFT art gallery pop-up took place in Dallas, TX for the first time. The event was hosted by Artist Uprising, a Dallas-based talent agency for creatives, and featured several individual art pieces by breakout NFT artists who have collectively grossed over $1 million in online digital art sales in the last month alone.

Merrick Porchéddu, CEO of Artist Uprising, told Cointelegraph that the event attracted over 200 attendees, with NFT sales still ongoing in open auctions:

"Many prints were sold, along with two fine art canvases. The 'Making of NFT Gallery IRL' documentary was also filmed (which will hopefully explain so much behind what NFT art is all about and why it is here to stay). Also, we now have three districts wanting to bring our NFT gallery to their spaces."
"So Happy We Met" NFT artwork by Magdiel Lopez. Source: Artist Uprising

Understanding the need for physical NFT art galleries

Yet while physical NFT art galleries are a notable step for the crypto industry, some art aficionados, or traditionalists, may question the importance of, or even the necessity of, NFT art galleries in the real world.

For instance, an article in The Art Newspaper quotes Saskia Draxler, co-owner of German art gallery Galerie Nagel Draxler, who noted that the digital artist Beeple — who auctioned off a piece of NFT art at auction house Christie’s for over $69 million — will most likely not impact art history. She added that "NFTs will not replace physical art any more than NFTs from a Nike sneaker will replace real sneakers."

Related: NFT 'art revolution': Beeple on his 5,040-day labor of love

While this is just one opinion, some believe that the confusion around NFTs and the need for physical galleries may stem from a lack of understanding. Carrie Eldridge, founder and CEO of ATO Platform — an asset management service providing royalties to artists, galleries and nonprofits — told Cointelegraph that there are many pragmatists and conservatives who are not ready to embrace NFTs as a legitimate medium. "They also don’t believe that NFTs provide a solution to challenges that have plagued artists for generations, like value tracking, royalty collection, collector analytics, value appreciation for collectors and insurance companies and many more complex issues," she said.

Although this may be the case, Eldridge noted that it’s important to consider perspectives from both traditional collectors and the crypto community when it comes to NFT art: "At ATO we are enthusiastic about the innovation and at the same time, are vigilant and protective of the art industry and those who have toiled for decades to make it what it is today."

While Eldridge brings up a valid argument, it’s important to point out the reason that physical NFT galleries have appeared in the first place. While some may think that these venues opened simply as a result of lifted COVID-19 restrictions, industry experts beg to differ.

For example, Marc Billings, founder of Blackdove — the company that launched Miami’s first NFT art gallery earlier in June — told Cointelegraph that NFT art galleries are no different than traditional galleries in form and function. However, he noted that traditional art galleries have failed to meet the needs of the NFT artist, both in terms of technology and collector interest, thereby opening the door to dedicated NFT galleries. Billings said:

"NFT artwork more closely resembles a moving painting than a traditional work of video work, which has been missed by the more conservative art world. Artists and curators are starved for wall space to showcase their works and voices that the NFT gallery is uniquely positioned to handle."

In addition to digital NFT artwork being displayed in real-world spaces, NFT artists have also started to create physical pieces that are associated with their digital creations. Not only do physical NFT art galleries allow these pieces to be displayed, but they also help attract interest from the mainstream.

For instance, NFT artist Taylor Good — also known as "Warhodl" — told Cointelegraph that by creating physical soup cans tied to digital NFTs, his pop-up at Bitcoin 2021 attracted collectors who were new to the NFT space.

Bitcoin original can NFT artwork by Warhodl. Source: Warhodl

Echoing Good, crypto artist Sergey Gordienko — also known as "Do What You Love Artist" — told Cointelegraph that he is offering physical pieces of NFT art to traditional collectors along with their digital versions. "I think this brings additional value to the physical art piece," he said.

Bitcoin artwork by Do What You Love Artist. Source: Sergey Gordienko

NFT art and the importance of blockchain

While it’s important to recognize the necessity of physical NFT galleries, Billings also pointed out that blockchain technology plays an important role in the overall ecosystem: "Blockchain allows the hard work of the various members of the community to be recognized and compensated accordingly."

Indeed, blockchain is one of the most important features behind NFTs in general, as it has created an entirely new financial model for these assets. This has enabled creatives to achieve a larger portion of profits, as value is exchanged across a blockchain network. In addition, proof of ownership is achieved for collectors because all transactions are conducted and recorded on the blockchain.

Good explained that NFT art has allowed him to receive profits in real time, instead of waiting for galleries to accept, price and then sell the item:

"The age-old issue as an artist is knowing your worth, asking for it, and actually receiving your worth. While NFT’s are simply a utility of the blockchain, the creative world is lucky to be one of the first vehicles or use cases, because what NFTs essentially are is a direct value exchange."

Moreover, the decentralized finance (DeFi) protocol Aave is currently working on developing a platform to use NFTs as collateral. Jordan Lazaro Gustave, chief operating officer of Aave, told Cointelegraph that the company views NFTs as a store of value, typically in the form of artwork. He noted that Aave plans to use NFT art as collateral, similar to the way a bank would offer a credit line to someone wanting to purchase a piece of fine art.

Related: Digital turns physical: Top NFT galleries to visit in-person in 2021

While Lazaro Gustave couldn’t reveal the full details of the platform in development, he noted that traditionally in the DeFi space, fungible assets like stablecoins are used as collateral. However, he pointed out that NFTs are nonfungible, and that Aave has developed a way to use NFTs as collateral at scale.

Will NFT art galleries be an ongoing trend?

While the benefits provided by physical NFT galleries are evident, it’s unclear whether these dedicated spaces will continue to emerge across the world — or will die down as the NFT art hype fades.

Porchéddu explained that while he initially thought NFT art was a bubble that was going to pop soon, he now believes it is a trend that will morph and stay, adding: "People are getting incredibly innovative and approaching this in a unique way where they're providing solutions to problems."

Billings further remarked that there is no traditional gallery that can keep up with the technological innovation coming from the NFT art space. Echoing Billings, Eldridge commented that NFT art is not a revolution but an evolution of an old standing art form: digital art. He said:

"The reason why digital art has not caught on earlier in previous decades is because of the inability to track it. An NFT is merely a 'pointer' toward where the artwork is saved/stored, along with the aim of adding value by confirming it is limited or scarce. NFTs are essential to explore, and there are many enthusiasts who are embracing this innovation."

‘Asia’s MicroStrategy’ Metaplanet buys another ¥400 million worth of Bitcoin

‘Bitcoin is the king of crypto and it’s here to stay’ says eToro CEO

Some regions may want to ban Bitcoin, but industry experts say BTC is here to stay

While countries like El Salvador have welcomed Bitcoin (BTC) with open arms, other regions are pushing to legally ban the digital currency. Although this may be, some industry experts believe that Bitcoin is here to stay — for good. 

For example, during an exclusive interview at Bitcoin 2021 Miami, Yoni Assia, chief executive officer of eToro, told Cointelegraph that he considers Bitcoin to be the “king of crypto,” noting that the most popular digital currency is here to stay:

“I'll be surprised if we don't see a significant rise in the price of Bitcoin over the next three to five years, as there are still 5 billion people in the world that basically don't have good local currency.”

Yet in order for this dream to become a reality, Guy Hirsch, managing director of eToro U.S., told Cointelegraph that people need to believe in the morality of decentralizing money:

“I think that the moral case for Bitcoin and teaching people that it is the right thing to do is to basically separate state and money. It will ultimately create that vision that we all aspire for.”

Regulations: bridging the old world with the new world

In order to prepare for a decentralized future, Assia mentioned that eToro is building a bridge between traditional finance and the crypto industry. As such, Assia explained that the combination of crypto assets and equities is important. “The majority of our clients trade both cryptocurrencies as well as stocks in the platform. I think that's definitely a trend that we'll see continuing in the future,” he said.

Assia further mentioned that it’s good to see more institutions entering the crypto space, especially when it comes to innovating within decentralized finance, or DeFi:

“DeFi a bit of a wild west right now. No regulation, no real financial institutions, but a lot of amazing innovation. I think we're going to see a lot of that innovation going into traditional or regulated financial institutions, centralized companies to be able to offer that innovation directly to consumers.”

Moreover, Assia mentioned that he thinks there will be a transfer of over $100 trillion dollars over the next 10 years into native digital assets. He noted this will be spurred by the notion that nearly all financial assets will eventually be incorporated onto blockchain networks moving forward.

‘Asia’s MicroStrategy’ Metaplanet buys another ¥400 million worth of Bitcoin