NFT Creator

Bryan Brinkman (of SNL and The Tonight Show) reveals that the secret to being a successful NFT creator involves spending just one-third of the time on art.

From working on Saturday Night Live and The Tonight Show as an animator to now having more than 1,000 collectors of his NFTs, Bryan Brinkman is an example of how a digital artist can thrive in ways never before possible. 

Best described as a digital pop artist with an emphasis on animation, Brinkmans fans include high-profile NFT collectors such as Pranksy, J1mmy.eth and WhaleShark. He has also been featured at Christies and had fractionalized art of his put up for auction at Sothebys.

Prior to NFTs, I spent 15 years working in various industries such as fashion, MTV shows and animated television series. Ive also worked a large chunk of my career on late-night TV shows like Saturday Night Live and The Tonight Show, which revolve a lot around humor, Brinkman says. 

When NFTs came along, animation finally became a medium that could be quantified and collected. It immediately clicked with me. There are lots of branches you can do as an animator, but this is the only one that allows you to truly be independent and in control.

In its simplest form, I describe myself as a digital pop artist, but I also think mixed media is a term I use as well. I like to mix 2D and 3D as well as play around with different mechanics and forms.

Brinkman also understands how to market his work and build community essential ingredients for an NFT artist today.  

I think about dividing your time into thirds. Spend one-third of it making art, and spend another third working on marketing your art, whether that be making cool teasers or videos talking about your art, or maybe writing Twitter threads about how you made it. That stuff is very important. Then the final third is spending time in the community, learning from other artists, talking to other artists, just connecting in general, Brinkman states.

I learned from many of the artists who came before me, whether it was Sarah Zucker, Coldie, Josie Bellini, Alotta Money, Hackatao, Matt Kane and a host of other OGs out there. 

Read also: The Sarah Show: Analog childhood meets dizzying digital future

Influences:

Brinkman draws inspiration from many styles and artists, but animation is at his core, and he studied it in college.

Don Hertzfeldt [American animator, writer and independent filmmaker, best known for animated films World of Tomorrow and Its Such a Beautiful Day] is a big one. He influenced me with a lot of his short films that are simply brilliant. Bill Plympton [American animator and cartoonist best known for his 1987 Academy Awards-nominated animated short Your Face] influenced me with his work ethic and how he was able to maintain an independent animation artist lifestyle for all these years. I think hes nearly 80 years old now, Brinkman states.

Brinkman also cites pop artist Keith Haring, an American graffiti-inspired pop artist, and NFT artist Killer Acid. 

I think Keith was able to ride the line between pop art and commercial art in a way that still kept his integrity. I also have to shout out Killer Acid, who inspired me to join the NFT space. He was a very early SuperRare artist.

In fact, Peace Sign Dude by Killer Acid is still his favorite NFT in his collection.

J1mmy.eth actually owned it, and he offered to give it to me as a gift, which was incredible. Its now my never-sell grail gift. Pretty cool story because its the artist I discovered NFTs via and its my collector who first supported my career, so its my most special NFT. 

Read also: Become a hot new NFT artist via the soft shill taco method Terrell Jones 

Notable sales to date:

Hot new NFT artists to watch 

Brinkman is a prolific NFT collector himself, with a reputation for spotlighting and elevating other artists: 

Alimo (@alimofun): Best known for curvy post-pop imagery, highly saturated colors, vibrant hand-drawn letters and worlds inhabited by figures arranged on flat tonal surfaces. 

I think Alimo does really beautiful landscapes that are very simplified and kind of pop art. The colors he uses are very soothing. Im a big fan of the stories he tells with surfing and snowboarding.

Ykha Amelz (@ykhaamelz): Indonesian artist who specializes in 2D. She combines her inner-child nostalgia and chaotic mind into a vibrant universe populated by a family of cartoon characters.  

With Ykha, I think the world shes building is extremely fun. Its sort of like a mixture of skater artwork, but then she has all these characters that go from scene to scene and tell a story. Visually, its eye candy. 

Jisu (@JisuArtist) Korean-American illustrator based in Los Angeles. 

With Jisu, her work has these harsh angles on faces, but there are lots of colors and almost like a glitchiness to it. Im a big fan. I think theyre really cool. All three of them are crushing it. I imagine theyre all going to be big names eventually. 

Read also: Breakdancing medics NFT auctioned at Sothebys Grant Yun, NFT creator

Process: 

Brinkman takes the process of making art on the blockchain seriously, as theres a record of the work forever, he points out.

It usually starts with sketches. Sometimes this is done in physical form on a sketchbook, or sometimes its Procreate on an iPad, but it unusually starts with thumbnails which goes back to my background in animation, where you start with storyboards, says Brinkman. 

I usually think small initially and then decide if it is an idea or an opinion and how I convey that visually. Not everything has the same deeper meaning, but usually, theres that thought process I go through, and then I refine it. From there, the process of building kicks in, and Ill use some animation software as I start building the pieces and it starts to evolve into its own thing. Theres a lot of layers of refinement and tweaking required as well as getting the timing and motion to feel right. 

Once it becomes an animation, I then need to decide, is this going to be a video with audio or an animated GIF? Should it be tall, or wide, or square?

Finally, Ill give consideration to how I think its going to be displayed, because everythings on the blockchain forever. I think about building things for TV screens because thats going to be how people look at this stuff in the future. Its a lot of different steps along the way, but each of those steps can have a totally different detour that turns the work into something totally different. 

The NFT space is missing?

For Brinkman, discoverability is the missing piece of the puzzle.

Its really hard to find artists. We need sites that allow you to see artists and new artists. We need to create algorithms that show you other artists that are in the style you might be searching for, he says.

Currently, its all word of mouth and based on influencers on Twitter, which is fine, but its still a very curated way of doing it, says Brinkman. 

I think, for better or worse, artists need liquidity on their secondary markets. To that degree, maybe some sort of universal artist bid mechanism where I will buy any piece by this artist for X amount of money. That way, theres always a low level of liquidity like youd see in places like Blur. 

Some artists might say thats a terrible thing. I dont know. But there is that problem right now. When you buy art, its hard to get out of it if you need to in a pinch. I think if there is that, that will attract more people that might see it as more of a liquid asset than a long-term investment. 

Royalties debate

Since the explosion of Blur over the last four to five months, the royalty debate has been a hot topic. Incentives to use Blur to receive future airdrops have been a significant driver in OpenSeas market-share hit.

Blur does not recognize royalties, which was part of the value proposition for NFT artists in the early days when the narrative was that creator royalties would be paid in perpetuity via a smart contract. However, royalties are actually captured at the marketplace level, and many artists have been understandably outspoken about missing out.

I realized very early on that creator royalties were a social contract, not a smart contract, Brinkman says.

Read also: 4 out of 10 NFT sales are fake: Learn to spot the signs of wash trading

People would trade my SuperRare one-of-ones and not pay royalties. So early on, I knew not everybody was going to pay royalties. So, how do we look at this situation? I think some of it is an incentive question.

Brinkman says that if there are secondary hubs where everything is listed, there is discoverability and royalties are paid, then thats going to be the place where you go to buy art, and thats where artists send people. I believe 70% of people will just go there and buy it.

You pay a premium because they have everything in one place.

Then there are going to be these people that are going to go off and try to find the best deal. Maybe my 70/30 prediction is off, but I think theres always going to be the dynamic of ease of accessibility versus avoiding royalties.

Links: 

Linktree: linktr.ee/bryanbrinkman

Twitter: twitter.com/bryanbrinkman 

Website: bryanbrinkman.com 

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Sarah Zucker remembers the analogue world of her youth, and creates NFT art that explores the insane tech revolution we’re all going through.

As a Millennial who remembers the world before digital devices and the internet were everywhere, Sarah Zucker aka The Sarah Show is fascinated by the accelerated transition society at large is going through.

I feel as a Millennial that Im part of this generational cohort thats in this very unusual experience of having had an analog childhood and now living a digital future, says Zucker. 

Im specifically using tools of the recent past like analog TVs to take people out of our present moment and create this different experience of time and sense. I would say my work really is about time more than anything. 

The Los Angeles artist is considered an OG of the NFT art scene, having started way back in 2019 (her first mint was on April 4 that year) compared to most artists who arrived on the scene in the last 1224 months.

Her art seems to resemble something youve seen before, all while feeling like something completely new, telling stories with a dose of humor while tapping into cutting-edge and obsolete technologies. 

Having been featured at Sothebys and more recently at the Los Angeles County Museum of Art (LACMA), Zuckers love for art started with film photography.

Ive always expressed myself visually. As a teenager, I got very into photography and specifically working with film photography. Were talking about the early 2000s when everything was going digital, she says.

Vintage technology has always been of interest to me. Its not necessarily about nostalgia, its more that I find the physicality of vintage technology really interesting.

She was an early convert to uploading pics on Tumblr and Instagram and spent about a decade pursuing photography before her masters in screenwriting saw her embrace narrative filmmaking on video.

Influences:

The Sarah Show takes inspiration from German expressionist art, which emerged in a similarly tumultuous period to today around the end of the First World War. 

There had just been this World War that made everyone feel like the world was suddenly getting a little more global than felt comfortable. There was a pandemic. There were all these things in society, and yet the artists of that time were so expansive, emotive and free, she says. 

They were breaking forms and creating things in a way that said, We dont care how were supposed to do this; were going to do this the way that this expression needs to come out of us. I cant get enough, says Zucker. 

Personal style: 

Ive always been something of an outlier in my artwork. I would say its not easily defined. You could call it glitch art, you could call it video art, you could call it GIF art, or, more recently, NFT art as it gets called now. I dont think those terms are incorrect, but they miss the big picture. 

I describe it more like a multiverse that Im channeling through. Im channeling through myself and through these vintage broadcast devices into a body of work that gets referred to as The Sarah Show.

With technological advancements like AI happening at a breakneck pace, Zucker says shes trying to address the big universal existential questions about the fact were on the brink of a completely new way of living as human beings.

I view my work as a way of depicting what its like to be this sort of silly, scared, happy, manic, dreadful little creature strapped to this rocket ship going into the future and trying to make sense of what this life has been and what its going to continue to be.

Notable sales to date:

Space Loaf sold for $44,062 at Bonhams, June 2130, 2021

Up-and-coming NFT artists to watch

Zucker is a big fan of performance art and has two specific artists to put on your radar. 

Edgar Fabian Frias 2022 MFA Art Practice at UC Berkeley. 

Edgar works regularly in the contemporary art world and is a bit of a shapeshifter, bringing such a unique perspective from their background. Theres a high weirdness approach to art-making that I certainly connect with. Admittedly, I turned them on to NFTs in mid-2020. 

David Henry Nobody Jnr New York performance artist, reality hacker, NFT artist. 

David is someone who Ive followed for years and years. Ive always found his work to be just irresistible. He has a huge following on Instagram; he has a lot of visibility there. 

Process: 

Zucker creates her distinctive style using a mix of old analog devices and new digital tools, such as Adobe After Effects. 

I start with sketching or writing things out, essentially conceptualizing things. From there, I generally begin in some sort of digital way, either animating in After Effects or Photoshop. I often shoot live video in my studio.

I also have this analog video rig Ive built out in my studio thats made of vintage broadcast devices. I have custom glitch hardware, with different devices and capabilities that allow me to apply all sorts of different analog effects. In addition, I have a number of different TVs and cameras for creating feedback loops for creating texture.

With some of my work, youre often seeing screens within screens because that experience of the screen is a big part of what Im aiming to convey through my work.

Making work in an analog system can often mean making multiple versions because there is no easy way to save the work. 

Theres no saving in the analog system. It all has to be done with immediacy. An example would be laying it all down on VHS tape, and then I bring it back out to digital and have basically two ways to convert it to the digital realm. 

One is to film it in 4K, essentially like filming it in high definition digital video off of the vintage screen because often thats the look I want, the screen within the image itself. The other option is to use a transfer system that basically digitizes the analog signal. It brings it back into digital signal where I can record it digitally, says Zucker. 

Artnomes influence as a collector: 

Zucker has been collected by a lot of people over her four years in NFT land but singles out Jason Bailey aka Artnome as someone thats played a pivotal part in her journey. 

I have a great relationship with a lot of my collectors. I think collectors and artists do this great dance of symbiosis, she says.

I think Artnome had been checking out my work and recognized that I had a number of pieces just sitting there on the market, and he swept them all. More importantly, its not just that he bought my work its that he wrote a very thoughtful thread on Twitter about my work.

In the thread, he drew attention to my work and video art in general. He really did this service to me by contextualizing my work for people. Plus, Jason is an arts writer; hes very knowledgeable and told everyone about what my work was. 

This was January, in 2020, when he showed my work off, and from that day on, it has snowballed into an increasing amount of visibility and appreciation. I can always point to that one moment of that one person bringing a little bit of spotlight to me and it has continued to echo out through my life over the past three years, says Zucker.

Links: 

Lynkfire: linktr.ee/thesarahshow 

Twitter: twitter.com/thesarahshow 

Instagram: instagram.com/thesarahshow/ 

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New York NFT artist Emily Xie explores the tension between creativity and “cold and robotic” algorithms. Punk6529 and DC Investor are collectors.

New Yorks Emily Xie is exploring the new frontier of digital art by combining her skills and passion for computer science and generative art. 

In a little under two years, since she minted her first NFT in March 2021, she has caught the attention of prolific collectors, such as Punk6529, DC Investor and Bob Loukas, and recently left her software engineering job to pursue life as a full-time artist. 

I studied art history, took studio art courses, but also studied computational science and engineering. I made all sorts of art growing up, but it was more in a traditional media way. As a software engineer, I was always hoping to combine my love for programming as well as my love for art and creativity, says Xie. 

Discovering generative art

I found that desire in generative art in around 20152016. It made a lot of sense making art with code. You dont get any more of a direct and elegant combination than that of those two fields.

Its so full of exploration. Youre engaging with technology in a way thats creative because it exercises both sides of the brain, and thats a rare thing to encounter. 

Xie attributes her love for making generative art to the freedom it gives her to let her creativity loose, and she gets lost in the process. 

Generative art is meditative for me. Whenever I made it, I got really sucked into it. The world around me would just disappear, and I would spend hours just programming and seeing what the algorithm might do.

Prior to NFTs, there was not very much opportunity to actually make a living out of it. When NFTs did come along, it was the first time where I actually saw a pathway for myself to be making a living as an artist. 

Inspired by East Asian art, Xies collection Memories of Qilin was launched via Art Blocks a year ago and has now seen over 4,400 ETH ($7.4 million at the current ETH price) in secondary sales.

In July 2022, Xie teamed up with Bright Moments for her 100-piece collection Off Script, which is an algorithmic representation of a 20th-century modern art collage. 

Just recently, the New York resident engaged in a collaboration with the Los Angeles County Museum of Art, and she also has worked with SuperRare and Objkt (Tezos). 

Influences

Xie takes influence from many artists and styles but specifically singles out Japanese ukiyo-e artist Hokusai, best known for the famous big wave woodblock print, and Spanish painter Picasso who revolutionized abstract art with cubism. 

For me, I love abstract expressionists and early modern collage artists, but a few names that come to mind are Hokusai and Picasso, she says, also referencing the Fidenza NFT artist Tyler Hobbs.

Read more: Tyler Hobbs wrote software that generates art worth millions

Theres a lot of generative artists that have inspired me over the years. Tyler Hobbs is one of those. Id also say Zach Lieberman has been a huge inspiration, says Xie. 

In general, the genre influences for me are collage and textiles. I draw a lot of real-world inspiration from them. 

Personal style of generative art

Xies aesthetically pleasing style takes inspiration from traditional East Asian art, and she has a knack for creating pieces that can be studied with the naked eye at length. 

I would say that my personal style is very influenced by textiles, patterns, collage and wallpaper. This idea of bringing together a lot of different patterns and putting them into one piece and seeing how that can create something so cohesive thats really interesting to me, Xie states.

Her work brings human warmth to what could be a sterile nature of computer-generated art. 

I would say that, a lot of times, my artwork tends to have a very organic feel. It explores this tension between what is handmade and appears very human versus what is computational and somewhat cold and robotic.

Its very fascinating to me to bring in a sense of organic and human into a medium thats inherently digital with the code I use. 

Notable generative art sales to date

NFT artists to watch

Xie points out a number of up-and-coming NFT artists shes excited about. 

William Mapan An artist who works with code and has been featured on Art Blocks, Bright Moments and at Sothebys. 

William is an incredible artist. He has all these beautiful, hand-drawn-looking works. His series Anticyclone is just stunning, and Ive collected one. I think he really loves drawing inspiration from traditional media as well. 

Iskra Velitchkova A computational generative artist whos also been featured at Sothebys. 

Her work has a very digital quality to it. Whilst digital, its also deeply atmospheric. Her style is so consistent. If you see an Iskra Velitchkova piece, you know its hers. 

Sasha Stiles A metapoet and AI researcher.

Sasha is doing some amazing work around artificial intelligence and poetry. Its very cutting edge in my opinion. 

Generative art process 

Using a combination of traditional sketching, photoshop and writing algorithms, Xies process can be quite time-consuming and detailed. 

Programming is a pretty intensive process, so you want to visualize what youre trying to program as concretely as possible before doing it. I typically do that in Photoshop and sketch out what happens if I add a line to a given element. Ill look to see if that makes sense. If it looks good, I will then program it out and see where that takes me, says Xie. 

Often, it starts with a pretty extensive mood boarding process where Ill go and collect a bunch of images that I love that Im inspired by. That gives me an idea of what Im interested in at that moment. Sometimes, I cant articulate or vocalize that myself; its a very subconscious thing. 

Once Xie has an idea of what she wants to make, she starts to code to create the output. 

When Ive got my inspiration, I then start tinkering around with algorithms. Sometimes, that means revisiting an algorithm that Ive already written or learned about, for example, flow field. From there, its a matter of trying to draw inspiration from other elements and attempting to recreate them using code.

Typically, what that means is youll lay down some lines of code and then youll see what it produces, and itll render on your screen. From there, it becomes an iterative process of playing with parameters. For example, if you constrained one parameter, you might get wavy lines instead of something else. Youre constantly going back to your code, editing it and rendering it, and then repeating that process over and over again until you get something you like. 

Throughout my programming process, I actually try to prototype rapidly as much as possible because you can also run into the problem where you have an idea and spend all day programming it out, but it looks bad, and youve wasted all that time.

Physical-to-digital art paradigm shift

Xie says that tokenized digital art is turning the traditional relationship between original and reproduction on its head. 

Its interesting because, in the past, the Mona Lisa physical object is the true piece. Then every other picture of it you find floating around on the internet is just a manifestation of it. In this paradigm, its the complete opposite, which is really funny. I think its really important because, for the longest time, the traditional model left digital artists without a real way to assign originality and collectibility to the artwork, Xie says. 

In the past, there wasnt an easy way for my generative art to be collected. How do you collect something that sits on your computer but could be transferred to any computer all around the world with a click of a button? It required a way to assign rarity to a JPEG. NFTs are it. If people really think about it, it makes so much sense, and it opens up digital art to be finally appreciated and collected. 

Favorite NFT you own

I would have to say Anticyclone by William Mapan and Folio #22 by Matt DesLauriers. I love both of those pieces that Ive collected. 

Links: 

Lynkfire: linktr.ee/emilyxxie 

Twitter: twitter.com/emilyxxie 

Memories of Qilin website: memoriesofqilin.com/ 

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NFT artist Terrell Jones developed a unique method to attract attention that took him from stacking boxes for FedEx to his own Sotheby’s auction.

Artist: Terrell Jones, Michigan
Date minted first NFT: March 28, 2021
Which blockchains? Ethereum, Tezos

Influenced by classic gangster films, Terrell Jones has a distinctive style that captures imagination and nostalgia. He is about to auction a second piece at Sothebys and has a patented soft-shell taco method to garner the attention of notable collectors. 

Who is he?

From childhood aspirations of being a cartoonist to now being one of the hottest new NFT artists capturing the attention of elite collectors and Sothebys, Terrell Jones is well into his launch trajectory.

Born in Ann Arbour, Michigan, Jones has a visually distinct style. But it is his ability to tell stories through his art such as the collections Evil in Color and Good and Evil that sets him apart. Just in the last two months, Jones has had some of his highest-ever sales, and there is growing interest in his work.

A big thing for me has always been to try to connect my stories and images with a deeper part of everyone. With the way things are moving now and with so many artists, people are probably seeing more art within a day than you probably would have seen within a year. Its been a big shift, Jones says. 

Because we can see so much art, I wanted to have my stuff stick to people in a deeper sense. I want them to remember. 

In a similar vein to Grant Yun (featured last week in NFT Creator), Jones is a big fan of drawing on evocative memories and a sense of longing for the past.

Im definitely trying to connect the viewers and collectors of my art with nostalgia. A lot of the music I listen to is for nostalgic reasons. A lot of the movies and shows I watch are for nostalgic reasons. I lead with nostalgia in a sense with my work, stated Jones. 

Especially with the Evil and Color series, a lot of it does come from old gangster films or old crime films. Theyve been super influential for me and I was very much into them. Im talking about The Sopranos, Goodfellas, Scarface and all those types of classics. 

Despite all of the recent interest, Jones remains firmly grounded. 

I can remember times where people didnt care about what I was doing or what I was minting. Recent times have been a huge contrast to that, and its a big change. Im grateful for it. 

Influences

Jones singles out American visual artist George Condo as his No. 1 influence. 

Im a fan of a lot of artists, but George Condo is my favorite for sure. A lot of my early work was pretty much Condo-like copies. 

I also have to give shoutouts to Edward Hopper (American realist painter and printmaker), Hiroshi Guy (Americano pop style painter), David Hockney (English painter, printmaker and photographer), Phil Hale (American figurative painter), Yue Minjun (Chinese contemporary artist). 

Youve also got Takashi Murakami and Mpcoz who are doing amazing things in NFTs.

Personal style

Jones style is simplistic yet fascinating. It takes you to places in your mind and draws out memories you may not have thought of for years or even decades. 

I describe my style as a kind of a blend of pop art from around the 80s. I was definitely inspired by that a lot. Pop-Precisionism is how I like to speak about it its a sub-genre in a sense.

Im working to capture that feeling of nostalgia and that feeling of imagination, like when kids think anything is possible. I want to attempt to reignite that spark in us as adults now. 

In true Jones style, the devil is very much in the details with a number of his creations. 

I come from a religious background where angels and devils are a thing. Its interesting because I think they exist but for me they dont look or act necessarily anything like we think of them. For example, angels are like angelic figures with wings; theyre perfect, and theyre glowing. And with the devils, they are these red figures with the horns and all that stuff. I dont feel like either of those necessarily look like that if they do exist, says Jones. 

His Joy and Wonder series led to a collaboration with notable NFT project Aku Akutars, founded by former Major League Baseball player Micah Johnson. 

The Akutars collaboration with Micah was great. Before I was connected with Micah, I had lots of people telling me that my space boy character reminded them of the Akutar character. It was an easy yes for me when Micah reached out. I had already been thinking of different concepts and pieces. Really fun to be a part of.

Notable sales

NFT artists to watch out for?

Bringing a massive smile to his face, Jones informs us of three artists we should all be looking into. 

Kodak LDN Animator from Nigeria

Hes a Nigerian artist Ive been aware of for a long time. I think I might have been the first person to buy a piece from him. Hes a super talented animator, and I would love to work with him at some point, Jones says.

I really believe hes one of the greatest animators Ive seen. His work is not like anything else Ive seen whether in the NFT space or out.

Niah Artist from Australia

Theres certain artists where I just cant nail how they created a piece of art, and Niah is one of those. Shes one of those artists where Ill zoom in on her pieces and wonder how she got certain parts so clear even though its so intricate. Niah is just super talented.

Rozwell Creator

I described him as our Steve Jobs. Hes insane. The project that hes about to come out with I believe is going to change a lot of stuff for the NFT space. I think that it will definitely start like a whole new meta. People should definitely keep an eye out for that.

Process

With inspiration recently coming from classic crime and gangster films, Jones creativity is often sparked by watching classic films, and he uses the tool Procreate to help bring his creativity alive. 

When Im watching those movies, Ill start to think of ideas and put them into my notes. Other times, Ill be doing the most random things, and Ill just have an idea pop to mind. From there, Ill start to sketch it out. Ive always said, If I have a good sketch, then I can probably finish a piece in a day or two, Jones shares. 

Following the sketch and if Im happy with it Ill start to block out the colors, and from there, I work in a way where I work on individual characters or crucial aspects of a piece like a car separately. I try to work on separate files and eventually combine all the files. Part of that process is due to file size and layer constraints with Procreate, but overall, I think it makes my art cleaner. 

Soft-shell taco method: Attracting collectors

VincentVanDough was the notable NFT collector whose interest helped Jones rise up the ranks. He credits what he called his soft-shell taco method of subtly getting his art in front of the right people, in contrast to the hard-shell taco method of spamming links to everyone and hassling collectors via DMs.

[Its] more on trying to find ways to put your art in front of peoples eyes in a way that isnt forcing it on them. Youre kind of making them run into your art by accident on purpose, says Jones. 

I kind of soft-shell-tacod Vince at a certain point, and he was made aware of me. He dug into my art a bit more and ended up matching my all-time high sale at the time by purchasing my Birthday Boy piece in late 2021. 

Since then, Vince has helped me go on runs with some of his SuperRare purchases. Were super friendly and talk a lot. Even though hes a busy person, hell often have different advice for me or hell see different things and offer perspective. Im definitely grateful for him. 

Links: 

Lynkfire: https://lynkfire.com/terrelldom 

Twitter: https://twitter.com/terrelldom