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Music NFTs

Nifty News: Winamp adds NFT support, Atari gets physical and more

Atari has teamed up with Pixels.com for physical NFT artworks and Investopedia has given a rundown on NFT tax law.

NFT music on Winamp

Old school classic PC-friendly media player Winamp has rolled out support for Ethereum and Polygon-based music nonfungible tokens (NFTs) in the latest update of its desktop player.

Winamp has been around since 1997 and was one of the most popular media players for PC users but has since been overtaken by Windows Media Player and Apple’s dominant iTunes.

It has a reputation for supporting a wide range of media files, and in the latest update announcement on Dec. 7 the Winamp team noted that NFT support is officially live and ready to go.

Users can now connect their Metamask wallets from a host of browsers, and load up the music embedded in ERC-721 and ERC-1155 tokens minted on Ethereum and Polygon.

“The genesis of Winamp has always been about accessibility and innovation, and today we are proud to launch the very first standalone player reading audio NFTs, as well as any other existing formats,” said Winamp CEO Alexandre Saboundjian in a statement.

There could soon be a lot of Polygon-based music NFTs to choose from as well. The team behind the Ethereum scaling solution also announced on Dec. 7 that it had partnered with Warner Music and LGND Music to build a “collaborative, digital collectible” music platform.

The platform, dubbed LGND Music, is set to roll out in January 2023 and will provide users with a user-friendly on-ramp to buy and hodl music NFTs.

Investopedia: NFT taxes explained, hire an accountant

Financial media website Investopedia has published a detailed run-down of NFT tax law in the United States emphasizing that people should probably hire a tax professional if they don’t want the Internal Revenue Service (IRS) on their tail.

The website offers an extensive Wikipedia-style explanation for the various complicated terms in finance and finally added an NFT Tax Guide on Dec. 5.

A key takeaway is the IRS is yet to issue “specific guidance” about how to report gains and losses from NFT sales on tax returns, indicating there’s a big gray area to navigate for taxpayers.

Some NFTs will likely be classified as collectibles if they are purely art-focused, while others used for utility purposes, especially in relation to business use “may qualify for capital gains treatment.”

“The taxation of NFTs will fall somewhere between cryptocurrencies, which are taxed as property and have a long-term capital gains rate of 0-20% depending on income, and collectibles, which have a higher maximum capital gains rate of 28%,” the guide reads.

Crypto.com and Coca Cola’s World Cup NFTs

Crypto exchange Crypto.com and beverage giant Coca-Cola have partnered up to launch a unique set of NFTs depicting player heat maps from matches at the 2022 F World Cup.

According to a Dec. 5 announcement the artwork for the collection of 10,000 NFTs is being designed by digital artist GMUNK, who worked on popular sci-fi films Tron: Legacy and Oblivion. However, a specific launch date was not detailed.

Heat maps in soccer are generally used to show how a player performed during a game, as they indicate how much of the field they cover and which specific areas they spent the most time in.

The use of in-game data to create artwork may provide a novel way to create collectors items from major sporting events.

Crypto.com x Coca Cola NFT drop. Image: Crypto.com

Atari’s new concept: Physical art

Japanese video game giant Atari has teamed up with print-on-demand firm Pixels.com to roll out a revolutionary concept revolving around printed NFT artwork.

Related: Malta prepares to revise regulatory treatment of NFTs

While some may be happy looking at their Atari NFT art digitally, others enjoy physical artwork.

To that end, according to a Dec. 6 announcement Atari NFT holders can now connect Ethereum-based wallets to Pixels and transform them into framed prints or posters.

Those who don’t own Atari NFTs can also just right-click and save the images of those specific NFTs, and then print them via Pixels anyway.

Other Nifty News:

Digital entertainment, blockchain and gamification company Animoca Brands has secured a majority stake in the Los Angeles-based music metaverse gaming platform Pixelynx.

A Chinese court in the city of Hangzhou has said NFT collections are online virtual property that should be protected under Chinese law.

Court prolongs Tornado Cash developer Pertsev’s pre-trial detention

Nifty News: Robinhood to launch a Web3 wallet, LimeWire inks deal with Universal and more

Robinhood’s wallet will be non-custodial and multi-chain, allowing for the storage of NFTs along with the ability to connect to NFT marketplaces.

Popular trading platform Robinhood is creating a non-custodial crypto wallet that will be compatible with multiple blockchains.

The wallet will be a standalone application with the ability to store nonfungible tokens (NFTs) and connect to NFT marketplaces. A promo video released for the wallet shows a demonstration using Ethereum (ETH) based NFTs.

The app is a significant step for the company in providing crypto services. Prior to January 2022 trading crypto on Robinhood was a closed system with users unable to withdraw cryptocurrency.

On January 21 Robinhood opened up crypto withdrawals to 1,000 users allowing them to send crypto off the platform, that number was later expanded in April to the more than 2 million users on a waitlist.

Currently the wallet is limited by an identity verification process and only supports seven assets: Bitcoin (BTC), Bitcoin Cash (BCH), Bitcoin SV (BSV), Dogecoin (DOGE), Ethereum, Ethereum Classic (ETC) and Litecoin (LTC).

Limeys

LimeWire, a peer-to-peer file-sharing website from the early 2000s whose brand is now owned by an NFT marketplace, has secured a deal with Universal Music Group (UMG) for artists to launch NFT projects.

In a statement UMG said the deal would allow its artists to offer NFTs featuring content such as audio recordings, bonus tracks, backstage footage, images and other exclusive material to sell to fans or collectors.

UMGs Senior VP of Digital Business for Central Europe Holger Christoph said the company is “fully embracing the exciting Web3 space” and will work to create projects with “real utility.”

The partnership sees the LimeWire brand come full circle, as during its P2P heyday, it was a target for music labels due to users illegally sharing copyrighted content. The original platform was eventually taken down in 2010 after losing a court battle against the Recording Industry Association of America.

In March 2022 the brand made a comeback as an NFT marketplace focused on the music industry with brothers Paul and Julian Zehetmayr buying the rights to the name so it would return “as a platform for artists, not against them.”

Okay Bears knock-off tops OpenSea, gets delisted

The popular NFT project “Okay Bears”, the first Solana (SOL) NFT collection to top the 24-hour rankings on OpenSea has inspired a knock-off Ethereum-based collection dubbed “Not Okay Bears”.

Not Okay Bears are flipped images of the 10,000 original versions and briefly surpassed the 24-hour volume of the original collection on OpenSea. DappRadar shows over $3.2 million in volume over the last 24 hours.

The collection was delisted by OpenSea on May 17 likely due to the platform's updated policies on collections that imitate others.

More Nifty News:

Linktree, the popular app used across social media to showcase a link directory has launched support for NFTs through a partnership with OpenSea allowing users to showcase an NFT gallery and profile picture, and allow for crypto wallets to connect to a user's Linktree profile.

The Sandbox metaverse has partnered with South Korean entertainment firm Studio Dragon to develop a Korean drama series within the Sandbox metaverse, Studio Dragon will mint new NFTs for the collaboration.

Court prolongs Tornado Cash developer Pertsev’s pre-trial detention

Record label CEO explains how music NFTs are set to revolutionize the industry

NFTs must evolve beyond PFPs and the Metaverse to stay relevant in 2022, and Monstercat CEO Mike Darlington explains that music may be next.

Music-based nonfungible tokens are an emerging frontier in the crypto and NFT space, but the first questions that come to mind are: What are they? And what are their utility?

Music NFTs are relatively new to the scene and cannot be pinned down by one definition. At the most basic level, however, they are verifiable digital collectibles, with a core component being the integration of a song.

One of the first collections was “Audioglyphs,” which cemented itself as revolutionizing the way users consume music, synthesizing an infinite stream of audio for each NFT. Creators and investors began to discover the novelty of music NFTs, as they lessened the barriers of access to artists and consumers.

Electronic DJ and NFT collector 3LAU made history selling his record-breaking album Ultraviolet for $11.7 million. He also created the royalty sharing platform Royal, which has raised at least $71 million so far. Recently, John Legend announced the launch of his own music NFT platform, suggesting there are more artists interested in the technology.

While the price and popularity of music NFTs have not surged quite like visual art NFTs, some platforms have emerged to provide a more universal user experience while giving creators methods to monetize.

In an effort to gain more perspective on the matter, Cointelegraph spoke with Mike Darlington, CEO of Monstercat, about the future of music NFTs, their impact and the use cases for Monstercat’s sold-out nonfungible token collection “Relics.”

Cointelegraph: How do you define music NFTs?

Mike Darlington:  Music NFTs are verifiably owned collectibles that incorporate music as a major focus element of the token itself, allowing for the musician’s work to play as important a role as the visual artist’s.

CT: Can you walk us through Relics and its potential impact in the Metaverse?

MD: Relics is Monstercat’s debut digital collectibles platform — the first of its kind to operate within a record label. Each music collectible, also called a Relic, has the ability to integrate music seamlessly and verifiably in the Metaverse. Once you own a Relic, it has the potential to become your theme song as you travel between worlds, games and play-to-earn ecosystems, bringing a whole new community of music fans to Web3.

Related: Music in the Metaverse creates social and immersive experiences for users

CT: In what ways can music NFTs shape and change the music industry?

MD: One of the immediate benefits we’ve seen is the increased opportunity for artists to directly connect with their superfans. Whether it’s through rewards, exclusive access, ownership, etc., music NFTs are becoming one of the most powerful tools for community-building and engagement. They also enable a new form of perpetual royalties that can be shared with the visual artists. There’s no longer a need to reach hundreds of thousands of fans to achieve career sustainability — with just a small group of passionate collectors, artists of all sizes can make a fair living from their work.

CT: In what ways can investors or collectors benefit from music NFTs?

MD: Anything from access to immersive experiences, to unlockable content directly from the artist, to exclusive communications. With Relics, specifically, as the song’s performance increases in real time, so does its rarity — a benefit for both the fan and the artist. The platform also gives collectors musical access within the Metaverse and play-to-earn ecosystems, which, as a label, is something we can do with ease in an otherwise tricky landscape without the proper rights and licensing.

CT: What exactly is “dynamic rarity,” and what is its implication for NFTs in general and music NFTs specifically?

MD: Dynamic rarity is an evolving trait that changes based on how well the Relic’s original song is performing in the traditional music ecosystem. As a song does well on traditional platforms, the gemstone rarity will also increase on its corresponding Relic. This innovation connects Web2 and Web3 in a novel and healthy manner while not alienating the importance of either. It turns the fans into tastemakers, with the song’s history all on-chain.

Music NFTs will continue to emerge and evolve as the underlying infrastructure gets developed to suit more use cases, like in-game integrations or providing royalty-sharing benefits. Just as NFTs changed how users interact and consume visual art, music NFTs are already gaining traction to revolutionize how users create, listen and use them.

Disclaimer. Cointelegraph does not endorse any content of product on this page. While we aim at providing you all important information that we could obtain, readers should do their own research before taking any actions related to the company and carry full responsibility for their decisions, nor this article can be considered as an investment advice.

Court prolongs Tornado Cash developer Pertsev’s pre-trial detention

LÜM to launch ‘Access Pass’ NFTs for 25 globally known musicians

“We really wanted to model ourselves off NBA Top Shot. A community that was building collective value by bringing players underneath an individual umbrella,” said LÜM CEO and Founder Max Fergus.

U.S.-based music platform LÜM is set to announce 25 partnerships with globally known musicians as part of a re-launch involving NBA Top Shot’s Dapper Labs later this quarter.

LÜM was founded in 2018 and built up a user base of more than 200,000 users with a platform that provided services such as social media, music streaming and micro-tipping for its partnered musicians and fans.

The firm has raised around $4.4 million worth of funding since 2018 according to data from Crunchbase, and partnered with popular R&B singer-songwriter Ne-Yo back in 2020.

However, LÜM is now moving on fro that business model and is relaunching on Dapper Labs’ Flow blockchain in March with the focus shifting to musician-related NFTs.

LÜM will initially roll out an NFT marketplace and fan engagement platform alongside NFTs dubbed “Access Passes.”

Users of the platform will be able to buy NFTs tied to their favorite musicians and trade them amongst a community of fans, while long term hodlers will be granted rewards such as priority access to artists’ future NFT drops, exclusive content and live entertainment experiences.

Musicians will be able to build their communities and launch their own Access Passes which can be used to crowdfund projects such as new album releases. It does not require artists to sign away any rights or intellectual property to middlemen according to LÜM.

Aim to onboard 100 artists in 2022

Speaking with Cointelegraph, LÜM CEO and founder Max Fergus was tight-lipped on who the 25 artists will be for the launch but indicated the wider goal is to onboard 100 top musicians in 2022 to “catalyze the mass adoption of blockchain-enabled technology by artists, and fans”, while the long term aim is to partner with more than 10,000 musicians.

Fergus stated that LÜM chose to partner with Dapper Labs and launch on Flow due to the successful and user-friendly model of other NFTs projects on the blockchain such as NBA Top Shot:

“For us, we really wanted to model ourselves off NBA Top Shot. A community that was building collective value by bringing players underneath an individual umbrella.”

NBA Top Shot is the top NFT project on Flow, and has generated more than $848.3 million worth of secondary sales since launch in late 2020 according to data from CryptoSlam.

Fergus stated that LÜM’s shift to the blockchain was part of a push to get behind “revolutionary” Web3 tech and he believes the sector's impact on the music industry will be as revolutionary as going from vinyl records to online streaming.

“I would put it on a very similar level to that. It's an entirely new way of not just experiencing artists and music but a new way of opening up the total addressable market.”

Related: Dapper Labs becomes the first NFT company to register to lobby with the US government

Fergus stated that a major issue he sees in the music industry right now is “ individual creators trying to monetize their individual fan base,” as he emphasized the importance of introducing a blockchain-based platform that links different communities together.

“By unifying artists underneath an umbrella, we cannot only cross-pollinate fanbases but easily introduce the blockchain community into artists that maybe they've never even known before,” he said.

Court prolongs Tornado Cash developer Pertsev’s pre-trial detention